Directed by:
Michael SarnoskiScreenplay:
Michael SarnoskiCinematography:
Patrick ScolaComposer:
Alexis GrapsasCast:
Lupita Nyong'o, Joseph Quinn, Djimon Hounsou, Alex Wolff, Elijah Ungvary, Thea Butler, Zay Domo ArtistVOD (2)
Plots(1)
Experience the day the world went quiet. (Paramount Pictures)
Videos (18)
Reviews (7)
A Quiet Place was a refreshing breath of fresh air in the horror genre, Part II was a solid sequel, and I was expecting some explanations and introductions to the issue of a world steeped in silence from the third part. My expectations weren’t quite met by the creative intentions in this case. The dramatic social level could essentially work as a standalone film, as it feels incompatible in places when coupled with the alien invasion. Day One has a promising enough start with the uninvited guests, but after that the two story levels begin to coexist (not always effectively), it’s almost like watching a mashup of two films. I'm curious to see what direction they will take after Day One, if they take it at all.
()
An embarrassing demonstration that this franchise is exhausted and has nowhere to go. If it was the same genre-bending in atmosphere and overall approach as, say, 10 Cloverfield Lane, I would be very satisfied and it would make sense to me. This, however, is a variation of things already seen many times, and moreover, from the first film onwards, with the feeling that the whole thing doesn’t make sense, because sometimes the aliens react to, for example, the imperceptible sound of a shirt being torn, and other times the main characters produce much more significant sound stimuli. The whole premise just stands on feet of clay. I appreciate that the film isn't trying to be some sort of War of the Worlds where space creatures are mowing people down by the hundreds, and rather there's a focus on two people who are just trying to survive and can't somehow actively defend themselves, but that can be told in one film, there’s no need to use the same teabag three times. And the cat here is just sci-fi within sci-fi, this territorial animal that always looks down on humans acts like a dog, walks beside you without a leash and returns to its owner like a hunting dog. Nonsense.
()
A woman, her scuba-diver cat, and a dog from Kent with sad eyes go to get pizza in Harlem amidst an invasion of blind aliens. An unexpectedly intimate New York stage that sought to draw from the famous play "Children of Men," with an all-pervading silent desire not to leave, which might excuse the growing sentimentality. Sam's yellow sweater and her dusty face hinted that it could also be read a bit differently ("Dust Lady" Marcy Borders, 9/11). It’s a shame that the final shot, with that extra second, underestimated the audience’s insight.
()
The opening attack on New York could have at least approximated the impressiveness of the exposition in Spielberg’s War of the Worlds. I would consider striving for that to be an obvious goal of the filmmakers. And that is reflected in a few shots of people disappearing into clouds of dust on the devastated streets of Manhattan. Together with the dismal interiors of abandoned buildings, those shots create a creditably bleak disaster-movie atmosphere. The film is thrilling in places, but without any of the plot ideas or cinematographic magic that made the franchise’s first two films interesting. Lupita Nyong’o performs as if her life depends on it, but her cat is the most interesting character in the film. The feline’s cautious glances and safely silent walking fit well into the concept of the story and the viewer’s experience of it.
()
A film that doesn't work in terms of content. Not only is the script woefully uninteresting, with no drive or shift from A to Z, but it doesn't work very well as an attempt at a drama about a sick girl who wants to say goodbye to life with dignity, much less as an alien survival. The few interesting shots and the great sound arrangement don't save it. An unnecessary sequel that doesn't do much justice to its two predecessors. Lupita Nyong’o’s performance is nevertheless amazing, and I'd like to see her acting in a more dramatically coherent film with a systematic concept and clear identity, one that will entertain more and communicate things better.
()
Ads