Coraline

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An unsettling parallel reality awaits a young girl when she crawls through a secret passage in this spooky animated children's fantasy based on the novella by Neil Gaiman. After moving into her new home with her work-fixated parents, Coraline Jones (voice of Dakota Fanning) teams up with new friend Wybie Lovat (Robert Bailey Jr.) to explore the neighbourhood. Deciding it's just as dull as she thought, she turns her attentions to her own house, where, after following a button-eyed mouse, she stumbles upon a hidden door. Crawling through the passage beyond, Coraline emerges into an eerie, parallel version of her own world. Initially bewitched by her strange new surroundings, where everything seems to revolve around her, Coraline soon has to fight tooth and nail to return home when her new mother (Teri Hatcher) tries to force her to stay. (Universal Pictures UK)

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Reviews (12)

gudaulin 

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English One of the most interesting animated films of recent times, which is mainly based on the quality book by Neil Gaiman, currently one of the most interesting creators of alternative worlds. Coraline can satisfy both children, except perhaps the smallest ones, as it contains dark motifs and scary scenes, as well as adults, as it has a very clever story with interesting characters and a significant message, it is filmed dynamically, with a sense for visual art, and it almost deserves five stars. Paradoxically, in my eyes, it is harmed by what current animated blockbuster productions are based on, i.e., typical computer graphics, which makes it lack a certain exclusivity characteristic of classic drawing and animation. Overall impression: 85%. ()

lamps 

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English I was a bit worried when the film was slower to start and visibly tried to engage my imagination and some of my patience with its story, but after a few minutes the doubts were successfully erased and I became increasingly satisfied with the final form. Sure, it's no Miyazaki, it lacks Danny Elfman's catchy compositions and the story doesn't sound particularly likeable, but there's still the charm, the imaginative idea and the very original execution, which is always the most important thing in animation. The Oscar nomination, in my opinion, is well deserved and pretty much says it all. ()

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Marigold 

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English A very pleasant island of stop motion imperfection in a sophisticated flood of silicon superhumans. Beautiful animation further enhanced by the 3rd dimension, very poetic decadent drollery and a very nice atmosphere. It's unfortunate that the musical accompaniment does not captivate as much as Elfman's songs once did. Coraline is more infantile than Burton's work and it doesn't have the sharp verbal humor, but despite all the plush, it is able bite nicely. I had a great time. [85%] ()

Stanislaus 

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English At first glance, there were a lot of scenes that reminded me slightly of other films. The well where the key was thrown was reminiscent of The Ring, the metal hand was reminiscent of Freddy Krueger, and as a whole it felt at times like a mix of Alice in Wonderland and the gloomy atmosphere of Corpse Bride. But whatever! I enjoyed it. In terms of running time, it was adequate. The music fit the passages perfectly, and the characters were interesting to the point of bizarre (especially Mr. B and the other mother). I was thinking 4*, but I'll round up because this animated film was indeed my cup of tea, full of colourful bleakness and great moments. ()

kaylin 

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English This type of animation simply isn't seen very often anymore. I'm also glad that Henry Selick chose this slim book by Neil Gaiman to adapt into a stop-motion animated film. This animation style suits Coraline incredibly well, and I'm glad there are still people who appreciate and put in the effort for stop-motion animation. The result is worth it. Plus, the horror-themed cartoon is all the better for it. And this fairy tale has the makings of a horror film. ()

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