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Batman the Caped Crusador is pitted against the demented, ravenous Penguin; a pitiful, orphaned psychopathic freak who once went on a baby-killing spree, and a 'power' hungry capitalist villain, Max Shreck. As the two criminals plot to gain domination over Gotham City, Batman must plot to stop them. In the highly stylized Batman Returns, Batman is thrown a third enemy, a terrible distraction: the slinky, sharp-clawed Cat Woman. (Warner Bros. Home Entertainment)

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Reviews (11)

kaylin 

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English Unlike the movie "Batman," this one seems quite scary to me, which is probably due to the character of the Penguin and other twisted inhabitants of the Gotham sewer system. It is more Burtonesque, more eccentric, which is also reflected in the interesting portrayal of Catwoman. I still enjoy this and although Michael Keaton is a very peculiar Batman, I still love him. ()

Malarkey 

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English The second part of Batman by Tim Burton is even better in terms of its atmosphere than its predecessor. The only thing missing is music by Prince, which managed to lift my mood a couple of times. But on the other hand, it offers Catwoman wearing a latex suit and a man-penguin and that’s not too bad, either. ()

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lamps 

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English Together with the first two parts of Nolan’s trilogy, this is the best cinematic Batman. Burton’s visual style works better than in the previous one – probably it’s really fitting for the Christmas period, Burton has always been good at finding moral filth and darkness behind a snowy facade. DeVito is great as The Penguin, delivering a solid balance between caricature and a real threat hiding in the sewers and wearing bizarre costumes, and the story also has room for another (semi-)antagonist, the splendid Catwoman (with the magical face of the most beautiful actress of her generation). Batman is only one part of a balanced triangle of characters, he only reacts to the actions of the other two (and it’s the only one with pure intentions). The character of Christopher Walken is also important and brilliant, he’s the one who brings everyone together. The final confrontation was bit a silly and the drama is not very effective, but everything is compensated by the clever relationship structure and an inimitably morbid comic-book style accompanied by Elfman’s music score, a joy to watch. 85% ()

Kaka 

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English The incredibly dark atmosphere together with Danny Elfman's music deliver a true comic book experience. I dare to say that the second Batman movie is not only more skillfully directed, but also visually more impressive, more atmospheric, and far darker. There isn't as much action, with more emphasis placed on the characters. Batman's gadgets are once again presented in full glory and for the entire two hours, there’s no chance of getting bored. The magnificent production design makes us forget about Joel Schumacher's later colorful escapades. ()

novoten 

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English I like Burton, but he should never touch comics again. Besides, he didn't choose very good actors. Keaton annoyed me from the beginning, DeVito's Penguin is not a villain, but a desperately bizarre character, and Michelle Pfeiffer is a rather discouraging example of how to ruin a cult character of the series with Catwoman. And although Elfman's music is great and saves the atmosphere and to some extent the whole movie, this combination doesn't fit me at all. Depression and grotesqueness in the redrawn gothic setting do not equal a quality spectacle for me. I would rather watch the overacting duo Carrey-Jones in Batman Forever. 50% ()

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