X

Can't you combine a retro slasher, a romantic story about love in retirement and porn all at once? Wrong. I never had Ti West in my crosshairs all that much, but here he fits beautifully and I'm just short of complete satisfaction and a five star rating. The very idea of a porn shack making adult films in a redneck backwoods is quite a treat, and when you add pissed off psychopathic pensioners and lots of blood and nastiness, you've won. The atmosphere built up from the start is perfect, working great visually and musically, only for the film to unleash utter madness in the second half. The characters are quite cleverly introduced and so you experience and suffers with them all the more, the "bad guys" are sleazy and disgusting, and I have to say that the "disgusting old people" element works perfectly here and I haven't felt such intense inner disgust and fear in a long time. There’s nudity, headshots and bizarre things that will make weaker close their eyes. If the creators had gone even bolder with the gore and avoided some of the clichés in terms of character behaviour, I would have given it a full score. But I'm still pleased with the result, as I haven't been in a long time. Few films so artfully combine so many elements that make for simply good horror, and the legends of a potential horror film of the year really weren't lying. (16/04/2022)

If you're looking for a classic slasher, you've come to the right place. You've got a group of young idiots on one side and a couple of elderly folks with unfulfilled dreams on the other. Add in sex, blood, rock and roll, and surprisingly good filmmaking. The director and cinematographer have a keen eye for great shots, and the period atmosphere is spot-on. (07/02/2023)

There hasn't been a horror film since It Follows that so creatively and intelligently pays homage to a single genre phase and, moreover, serves as a faithful commentary not only on the film culture of the time, but on the era itself. The return to 1979 on the hot Texas plains is not just a retro comeback of hixploitation (the clash of urban cool kids with Southern rednecks), of which there are many – and The Texas Chainsaw Massacre alone has eight futile sequels – X revives an entire libertine decade when censors increasingly had to grant the inaccessible X rating, with an emphasis on the most natural and at the same time the most taboo topic: sex. First of all, this is not a straightforward physical confrontation like in the original Texas Chainsaw Massacre, to which Ti West deliberately refers in some of the stylistic choices (hunter-victim shooting), the opening gas station stop, the Texas setting, etc., this one builds on ingenious parallelisms between the two camps of characters, who have essentially the same needs and whose sexual options are separated only (and significantly) by their age. People don't change mentally, but the inexorable passage of time always shows itself. Whether physically on individuals or on the nature of society, which dictates what is in – and in the seventies, "tits and ass, and a big dick" were all the rage, to borrow an idea from the magical Jenny Ortega. And so it's only natural that this film’s final girl has to be a shameful slut to survive, facing another, very wrinkled shameful slut. It's brilliantly shot, perhaps just a little too posed and lengthy in places, the retro look is good and the level of brutality is not such that the violence draws attention to itself and distracts from the compelling and often quite true-to-life ideas: "one day we're gonna be too old to fuck", or a retired couple will come with pitchforks to deal with their mental issues the way, well, only rednecks can. 85% and the fifth star goes for the fact that this just turned out to be the film for me. (15/04/2022)

High-quality gore doesn’t guarantee a good film. That’s a lesson I took away from X. The rural American setting was pleasant, but the characters offered nothing compelling, and I didn’t root for anyone. I was also negatively surprised by a few depraved scenes (such as the intimate games of the older couple). The creators could have left those out, so don’t be mad at me for saying that. Unfortunately, I didn’t enjoy it; the new Texas Chainsaw Massacre is definitely a better work in my view. For me, it’s 4/10. (05/05/2022)

An attempt at ambitious horror that doesn’t quite work. For the first hour or so, up until the first murder, it's a great directorial ride with an imaginative composition of shots, a witty timing of scenes (the crocodile from a bird's eye view!) and a top notch casting, all original characters and I loved it all; that long wait for the peak was a five-star job. But then, as the spiral of violence begins, the story winds clichédly along predictable paths, the murders are anything but interesting, though in one West recalls Fulci, and it all culminates in scenes you really don't want to see (gerontophilic sex). It's a film of two halves, and the first one, where it escalates, paradoxically outweighs the second one by a head; sometimes less is more. (16/04/2022)