Mission: Impossible III

Uncompromisingly unrelenting from the first seconds, larger-than-life in the action moments with thrilling special effects, and always eases up at the right moment. This is a thriller that is unparalleled in the spy subgenre in recent years (except for the Bourne films, which are in a completely different league). Abrams's direction is like a Swiss watch. It doesn't get stuck even in the more intimate scenes of the engaged secret agent (the return home after a failed operation is one of the most moving parts of the film) and thanks to the brilliant casting, it doesn't slip into theatricality even at its weakest moments. Oscar-winner Phillip Seymour Hoffman is a cold-blooded asshole like no other, Ving Rhames sprinkles dry catchphrases, Michelle Monaghan plays more than just a "damsel in distress," and even Tom Cruise is watchable, though he strikes his usual pose here as well. Even so, Mission: Impossible III is the best possible film for a single watch that can see the light of day from the waters of the standard Hollywood mainstream. (02/10/2006)

A spectacular and thrilling ride that uses a very simple plot to continuously present stylish and very realistic action, just as we would always like to see under the MI brand – the ground-to-air shootout on the bridge, in particular, is one of the best ever in cinema. The ending may be surprising only by how unsurprising it is, but otherwise just about everything works for Abrams, from the aforementioned riveting action to the repulsive bad guys (Hoffman) to the genre soundtrack (was it me, or was one Shanghai theme really that reminiscent of Silvestri’s Predator?) to the all-important element of Ethan's deep relationship with his life-threatened wife, which finally put a more personal and tangible danger on the agenda than just "destroying the world". An honestly supercharged hit that cleverly raises established genre benchmarks to a higher, albeit exclusively visual, experiential level. 80% (28/11/2015)

Hunt's most balanced escapade. Innovator J.J. Abrams managed to revive a somewhat worn-out series into a position of a strong blockbuster player, and thanks to fast editing, well-developed characters, and a close portrayal of Ethan's character, he achieved a nearly historic success. Despite his specific approach, he never lets us forget which action hero we are watching, taking the best from the cleverly targeted mood of the first installment and the action-packed sequel. This time, I found myself holding my breath for the central adventurer, rooting for him intensely, and trembling during all the action sequences. Until the period when Christopher McQuarrie took the series under his wing (forever?), I actually liked the third installment the most among the entire M:I franchise. As the years go by, it loses some of its uniqueness and irreproducibility, but fortunately, not the entertainment value, tangible drive of the story, likable attempts to deviate from genre conventions, and last but not least, the atypical (and all the more cunning) villain. (30/07/2006)

The intricate espionage games like in De Palma's first film take a back seat, Abrams presents a pure action spectacle, during which you can calmly sit through an unintentionally self-parodic resuscitation scene and the fact that Hunt's emotional relationship with his wife is brought to life through some really toe-curling dialogues, and I, as an ordinary viewer, will hardly care if they are just a mockery of a genre cliché (which I may or may not believe). Leaving aside the recent and brilliant The Bourne Supremacy, the last time I enjoyed a similar ride on the big screen was perhaps twelve years ago with de Bont's Speed. The impressive opening, which introduces Seymour Hoffman as a truly amazing, uncompromising bad guy, is followed by a slowed-down breath to a big continuous action whirlwind that, with a few cool plot twists and very little respite, only ends with the onset of the closing credits. I really enjoyed myself. PS: Cruise seems to be a capable producer and lately a better and better actor, but here again he chose a weaker moment with his sometimes theatrical speech. (24/05/2006)

With the third installment, I finally got a great spy film. It had immensely more action than the first one, but was also far more thoughtful than the second film. J.J. Abrams took over as director, and I could feel the change right from the first few minutes. The beginning amazed me, and as the minutes went by, I kept wondering when the pace would slow down. But it didn’t. On the contrary, the pace and action gradually built up. I also praise the story, which wasn’t very predictable and mostly maintained its coherence while avoiding logical flaws. One of the many positives is the cast, especially Tom Cruise, though Philip Seymour Hoffman might have outdone him. I haven’t seen such a slick and intelligent villain in a long time. For me, the third film is the best in the series. I give it 90%. EDIT 08/2023 - This is the best Mission: Impossible! By a clear margin! While the newer installments seem overcomplicated, Abrams' third film is the most balanced in this regard. Perfectly balanced high-tech gadgets with brutally impactful action (like... the bridge heist? WOW), supported by a nearly intimate story where Ethan has to save his wife. And Hoffman is, in a word, brilliant. I haven’t seen a better-written and portrayed villain in action films for a long time. I still stand by my 9/10 after all these years :) (08/08/2023)