Violent Night

For me, this won’t become a Christmas classic. What a shame! The first trailers promised a perfectly outrageous black comedy. The film has two excellent aspects (which I can’t deny). David Harbour thoroughly enjoyed his role as the foul-mouthed Santa, and I bought into it completely (his backstory was also amusing... I definitely didn’t expect a theme about Viking PTSD even in my wildest dreams). The second aspect is the decent action, with one standout scene in the barn being particularly noteworthy (I might revisit that scene occasionally... an interesting use of skates :D). Unfortunately, the film doesn’t work at all on a story level. Yes, I’m willing to forgive a lot within the genre, but it shouldn’t be overwhelmed by illogical elements. Leguizamo didn’t quite fit as the villain, nor did the main family with the little girl. It has some production quality (David Leitch handled the production), so it wasn’t a complete disaster. On the other hand, I see it as nothing more than a decent one-off. I give it 6.5/10. P.S. On a second viewing, I wouldn’t be as critical. Sure, it’s a silly film, but it’s devilishly entertaining. David Harbour was born for this role. But I’ll keep the rating the same :D (30/05/2023)

David Harbour is half of the film. He was made to play the role of a kind-hearted Santa Claus with the roots of a bad-ass Viking. The mixing of motifs from Die Hard and Home Alone, which are Christmas cult classics in America, is the right way to join their ranks in different genre garb. Wirkola almost succeeded – he combines Christmas clichés with new ideas, the endangered family members are not cliches and the narrative flows nicely. It’s just a shame that Harbour doesn’t face any correspondingly interesting bad guys for whom we would have more respect. (29/11/2023)

Tommy Wirkola combined the story of a Santa who lost his faith in Christmas with Die Hard. A rich family is gathered in their well-guarded mansion for the holidays when they are attacked by evil kidnappers just as Santa is eating cookies from one of the few good girls there. David Harbour is initially profiled as a pudgy drunk who wants to quit his job, but when glimpses into the past reveal his origins, he takes on an almost mythical dimension. Then, when he picks up a sledgehammer in a shed and goes to rescue the little girl, things get intense, with mashed-up heads, dismembered kidnappers and ground-up soldiers. The action is not blurred and it’s also innovative in a Christmas way. The jokes ooze with cynicism, the references to Home Alone are downright brutal. It’s just a little slow at times, you need some patience at first, but most of the time it's great fun. (26/12/2022)

A brutally appealing genre film in which heads burn and bodies explode in ultra-fun sequences, it's already achieving slight cult status at the moment and I'll happily include it among my classic Yuletide screenings in the future, i.e. alongside the first two Die Hard movies and Home Alone. Tommy Wirkola is a bit of a freak, but that doesn't take away from his huge dollop of talent and his remarkable flair for scenes that are extremely gory and funny at the same time. Violent Night is horribly irreverent ("Trudy? Well, that makes her sound like a whore."), brutally action-packed fun where you'll soak up the true Christmas spirit like (almost) nowhere else. [80%] (21/12/2022)

Honestly, I don’t get why anyone would label this movie a horror. But whatever, it’s always fun to dive into Christmas spirit in July. I didn’t know much about the film going in, so I expected some adult version of Home Alone. The amount of violence early on was shocking, so I paused to check the director. When I saw it was Tommy Wirkola, known for his bloody films, it all made sense. For a Christmas movie, the kill count was impressive, though not as intense as Wirkola’s usual fare. The film nailed the American holiday vibe: tacky decorations, Christmas trees, Santa Claus, reindeer, a loving family, snow, and even Beverly D’Angelo. David Harbour made a fantastic Santa. Surprisingly, the child actors didn’t bother me, even though I’m not a fan of kids in movies. I loved how Santa remembered his roots predating Christianity and long before he became a corporate mascot. What didn’t sit well was Wirkola’s taming down for the mainstream holiday magic, happiness, love, and family values. It felt like he traded his usual gory fun for a big payday. / Lesson Learned: In the age of the internet, writing letters to Santa is pointless. (08/07/2024)