Civil War

A violent nightmare that I dreamed for some unknown reason. Kind of like Children of Men from Wish. Garland somewhat mechanically adorns his shady road movie with random images of a broken America. A number of them are impressive, with powerful visuals and staging (mainly the scene with Jesse Plemons). The film manages to induce anxiety to the point of nausea from a cruel world that is not so far from The Walking Dead in its absence of morality and prevalence of brutality. But…the whole thing seems terribly gratuitous; for all of the questions that the film wants to raise, Garland’s work just shrugs its shoulders and wagers on another spectacular composition. The characters are flat and the ethics and psychology of the war reporters come across as very superficial research. There is little in the way of Nietzschean gazing into the abyss in this film, which paradoxically comes across as terribly thesis-based and illustrative, but it isn’t at all clear what its thesis is or what it actually illustrates. An impressive exercise in unclearly straddling the line between a skilfully made spectacle and a not so skilfully rendered metaphor of a divided country. It’s actually a reiteration of my problem with Garland, a maker of spectacular movies that are dull at their core. (15/04/2024)

A stunning picture of cruelty, where the first two parts, wandering in an anthill of trivia and sudden traumas, are surprisingly quite a bit better than the finale. It probably had to be that way so it wouldn't be a journey from nowhere to nowhere, but its giant scale takes away from the intensity of storytelling about people that resonate with me (because they do something that needs to be done, even if others don't understand) just as much as they infuriate me (because they act like ordinary adrenaline addicts). The last few minutes are pure provocation, which Alex Garland deserves for his long-standing genre diversity at the end (?) of his filmmaking career, but I can't help but wonder if such audacity brought joy to anyone other than himself. (11/06/2024)

I like Alex Garland's work and even though he makes films that aren't exactly audience friendly, he hasn't stepped on my toes once so far, so I was curious to see how he'd handle a slightly different material, more audience friendly, with a blockbuster format and on a very topical subject, and it's great, though not without its faults. It's a war road movie set in a war-ravaged America with an apocalyptic tinge that has a very slow pace most of the time, but thankfully it works thanks to convincing actors, decent dialogue and an uncomfortable atmosphere. I was a bit bothered that we don't see the birth of the conflict but are thrown somewhere in the middle, and also that the whole film is from a journalists point of view, I would have liked to see what's going on in other parts of America or some behind the scenes from the government on what the president is currently dealing with/planning, but never mind. The highlights are two scenes: the confrontation with Jesse Plemons, which has a very chilling atmosphere and a great build up, and then the finale – I was worried Garland would give us a three-minute shootout but he surprised us. We actually get more than twenty minutes of military action! A massive attack on the White House and it has it all: amazing sound of weapons, perfect cinematography, gripping atmosphere, in short it looks really dense and authentic, a perfect dreamlike action war finale. Of course, the few naturalistic shots are nice, but there could have been more of them. 80% (20/04/2024)

Texas' revolt has done Civil War some fine advertising and A24 can celebrate. Alex Garland is keeping his head down with the script and direction. The artistic arrangement is there, but he still focuses on the rawness, underscored by black-and-white photography by up-and-comer Cailee Spaena (the kid from DEVS), and serves up a classic road movie through the disunited states of America. The scariest stop along the way is the one at Jesse Plemons, and it towers over the entire film like the top of the Everest. I understand why Garland doesn't explicitly state the reason for the conflict, though it is implied, but I missed that very conversation whose absence Wagner Moura laments. The excellent Wagner Moura, by the way, easily nudges the brooding Kirsten Dunst. The finale is predictable but formally breathtaking. Great soundtrack. (22/04/2024)

A film that offers some impressive moments, but as a whole it mostly skims the surface. It deals with a few key themes, but it is mostly too thesis-like and one-dimensional. A raging America where we get no introduction and a miserable, rushed conclusion. Jesse Plemons steals for himself what is undoubtedly the film's best scene, and the final wartime inferno, while beautifully fluid and robust in sound, lacks technical skill and sophistication. It's not bad, Alex Garland is a capable and distinctive director, but Civil War is perhaps too ambitious a theme that deserved more than a journalistic road-movie with a wartime finale. (27/05/2024)