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Big-budget action adventure based on the legend of King Arthur and the Knights of the Round Table. The film, directed by Antoine Fuqua, attempts to place King Arthur within the historical context of his time (around 500 AD), and take into account many more historical and political facts of the era than previous interpretations of the legend. It also dispenses with much of the magic and fantasy that have shrouded events of the period, although Merlin (Stephen Dillane) does feature as a shaman who used his powers against the Romans. Clive Owen stars as Arthur, who, as England falls into chaos after the fall of the Roman Empire, gathers around him a band of brave knights, including Lancelot (Ioan Gruffudd), Galahad (Hugh Dancy) and Gawain (Joel Edgerton), who hope to defeat the invading Saxon armies and restore peace and order to their country. Keira Knightley co-stars as Guinevere. (Disney / Buena Vista)

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DaViD´82 

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English An interesting idea to approach the legend of Arthur, trying to imagine how it might have been in reality. Unfortunately, the screenplay is the greatest weakness of the movie, which could have been saved by the director, if he weren’t the second weakest link here. A movie that isn’t fundamentally bad, just dime-a-dozen in all respects. The only significant plus point here is Zimmer’s music, despite being adapted from things he wrote before this, but still it works well in this movie. ()

novoten 

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English Hans Zimmer has already elevated many good films to unforgettable and many mediocre ones to decent. And no movie can be as grateful to him as King Arthur, which without his brilliant musical accompaniment would have remained just a story trimmed of magic with a historical subplot. Instead, it has become a decent historical spectacle where Clive Owen clearly dominates the acting, with his Arthur being a dignified and courageous leader even in civilian form. 70% – a bit shaky, but otherwise quite positive. ()

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agentmiky 

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English After watching Ritchie's King Arthur, I had to check out this film from 2004, which faced a fair amount of criticism. Firstly, you can't take the film too seriously. While it may seem more believable compared to this year's fantasy Arthur, you should still take it with a grain of salt (but I get it, there aren't that many legends preserved about him, so creativity and wit are key). I want to praise the casting—no one felt completely out of place, and each actor handled their role exceptionally well. Clive Owen made his way to Hollywood as Arthur, as did Ioan Gruffudd, who probably wasn't well-known before this. The story isn’t particularly innovative; at times, you might feel like you've seen it all before, but it’s still a perfectly executed historical film with all the necessary elements. I'm disappointed I didn’t see the director’s cut, which apparently doesn’t hold back, but even in the regular version, you can enjoy the battles, as there’s no reliance on CGI effects. The film, after a very fast-paced first half, gradually started to lose momentum, which was noticeable, but I’m still thrilled with the result, which doesn’t match the rating here. I give it 76%. ()

Isherwood 

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English Not even a PhD in the Arts would have prevented the eventual director from making a film under Jerry Bruckheimer's production whip that looked at history from the "proper" and universally accepted side. True, drilling a dollar bore in classic English mythology is a brave act, but why not? Antoine Fuqua is, on one hand, a skillful craftsman, but unfortunately, he struggles with handling the given material. The narrative of the film is quite fragmented, stripping away the classic mythology, and while it is supported by impressive set design (the $130 million budget is evident), the director fails on all fronts when it comes to dialogues and the overall dramatic structure of the story. The film showcases talented actors, and the pairing of Skarsgård and Schweiger is one of the best casting choices of 2004. In technical disciplines, however, King Arthur is an above-standard spectacle (hence also a listening spectacle). The masterly cinematography by Slawomir Idziak (Oscar-nominated for his cinematography in Black Hawk Down), supported by interesting tonality that matches the bleak climatic conditions of the northern English Highlands, clearly dominates the film. Zimmer's music is a concentration of the most heroic motifs, preserved within synthesizer instruments. It would also be unforgivable to overlook the brilliant work of the sound designers who, together with the cinematographer, unleashed their creativity during the battle on the lake with cracking ice. Yes, it may be cliché, but I was never bored for even a moment during those two hours, which does not happen all that often. ()

kaylin 

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English Placing the Arthurian legend within a "historical" framework is just a mess, and not even Keira with her small breasts can help it. This is an incredibly boring movie that just shows how Hollywood tries to turn anything into modern action. There's even an attempt at some depth here, but it fits about as well as a soccer ball in a golf hole. ()

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