Directed by:
James MangoldCinematography:
Phedon PapamichaelComposer:
T Bone BurnettCast:
Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin, Robert Patrick, Dallas Roberts, Dan John Miller, Larry Bagby, Shelby Lynne, Tyler Hilton, Waylon Payne (more)VOD (5)
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Drama following the life of the legendary 'Man in Black', Johnny Cash. The movie begins in 1955, when a tough, skinny guitar-slinger who called himself J.R. Cash (Joaquin Phoenix) walks into the soon-to-be-famous Sun Studios in Memphis. It was a moment that would have an indelible effect on American culture. With his driving freight-train chords, steel-eyed intensity and a voice as deep and black as night, Cash sang blistering songs of heartache and survival that were gutsy, full of real life and unlike anything heard before. That day kicked off the electrifying early career of Johnny Cash. As he pioneered a fiercely original sound that blazed a trail for rock, country, punk, folk and rap stars to come, Cash began a rough-and-tumble journey of personal transformation. In the most volatile period of his life, he evolved from a self-destructive pop star into the iconic 'Man in Black' - facing down his demons, fighting for the love that would save him time and again, and learning how to walk the razor-thin line between destruction and redemption. Reese Witherspoon won a Best Actress Academy Award for her role as June Carter, Cash's long-suffering wife. (20th Century Fox Home Entertainment)
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Reviews (11)
Walk the Line is a musical biopic in the mold of Ray, but it’s a bit more sincere and concise, without so much Hollywood artifice, which can only be a good thing. Plus the superb duo of Joaquin Phoenix and Reese Witherspoon. If only they would start making such movies about directors, which are closer to my heart than musicians, with the same degree of love…
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Some movies will thoroughly change you, even with a proper distance. I mocked the country music while I was watching it and pretty much ignored Reese Witherspoon, but then everything was suddenly different after I saw it. Although I don't actively listen to Johnny Cash, I took to heart all the life warnings that Walk the Line subtly piles on one after another, and (however pathetic it may sound) I would like to believe that they helped me several times to take the right turn at the most important crossroads. This biographical spectacle is not among my top ten, nor even among my top fifty. And yet there is so much truth in it regarding temptations, difficult decisions, love, and career, that at one point I even put Joaquin Phoenix's portrait from the hand-drawn poster as my profile picture – and I have kept it there until today. A personal film in the most obvious sense of the word.
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In the context of the film's ambitions, which largely focus on the more complex and mainly darker side of Johnny Cash's personality, there's not much to reproach. Mangold is very adept at navigating the rock 'n' roll scene and wild life of the 60s, and he handles the interweaving of the three basic plot levels – Johnny's mental decline, the fateful love between him and June, and the problematic relationship between him and his father – with understated craftsmanship. But the film sticks to this scheme so tenaciously that the true and unique story about the beginnings of a music legend ends up being a classic Hollywood romance devoid of any surprises. But that doesn't change the fact that the film itself is great, that Johnny Cash's music is timeless, and that Joaquin and Reese not only look great together but also sing absolutely amazingly well. Superb filmmaking, deservedly rewarded with the attention of the Academy. 85%
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I love biopics, and Walk the Line is a prime representative of this category. The film is about the tumultuous life of Johnny Cash, who spent much of his life battling his personal demons, and it's shot with elegance and feels very believable, thanks largely to the breathtaking performances of Joaquin Phoenix and Reese Witherspoon. I love country music style because it's full of life and rhythm, and the two main protagonists add even more juice. In short, a great job of filmmaking, where I appreciate especially the theme, the acting and the music.
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Narratively, it’s very similar to Ray, with an equally straightforward and essentially very simple plot, relying mainly on the strong performances. However, unlike Taylor Hackford, James Mangold has a much greater sense for portraying intimate scenes, and above all, Walk the Line is much more sincere and honest as a whole, compared to the overly politically correct Ray. Joaquin Phoenix and Reese Witherspoon give their absolute best and their performances rank among the finest to be seen in the past year – Reese's Oscar is very well-deserved. Unfortunately, Johnny Cash's biopic has its downsides as well. These include a somewhat too simple script, a bit too many clichés and those typically polished and visually appealing scenes that, with a bit of attention, are transparent as glass. Solid and above all proper craftsmanship, and in the end, just slightly better than the purely average, somewhat tedious and slightly tiring Ray.
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