The Rocky Horror Picture Show

OK, another film whose cult status I can’t understand. The ear-shattering, awful 1970s music does highlight the depravity on screen, but it also made the film almost unwatchable. The Rocky Horror Picture Show is perverted in the exact awfully perverted fashion that I can’t understand, let alone like. On top of that, Tim Curry is almost unpleasantly convincing in the role of a sweet transvestite from the transsexual planet Transylvania… Overall, it was one of the least imitable film experiences I’ve ever had, and I’m giving it two stars for that, but my tastes are elsewhere. (15/02/2009)

Susan Sarandon almost constantly in lingerie, a free-spirited transvestite, a castle of freaks, a fat biker, a reversal of puritanism, and good taste getting one slap in the face after another. This trip to the strangest castle in the area simply turned out as contradictory as expected. The songs are mostly fine and catchy, but the plot they are attached to is unbearably bizarre and always completely unrelated to any hint of a storyline. And of course, the best song is "Touch-a, Touch-a, Touch-a, Touch Me". (24/10/2010)

A really unusual and quirky musical, in which the transvestite Tim Curry stands out the most. I found the plot crazy and off-the-wall, which is not always a bad thing. What I really have to praise were the songs, which together with the colourful sets and costumes created a great audiovisual atmosphere. The young Susan Sarandon was also a delight. In short, an original film that may not appeal to everyone, but I found it above average. (07/07/2010)

I didn't expect to enjoy the film very much. It's talked about too much as a cult classic, but in its case, it's absolutely deserved. Great performances in a brilliantly twisted script, dominated by Tim Curry, and of course, the songs that easily get under the viewer's skin. This is alternative beauty. (12/10/2015)

It is perhaps bizarre but original. Unfortunately, it's also a somewhat uncoordinated affair, which after a rousing opening starts to rehash the stereotypical system of musicals without any further innovation or invention. Sharman earns points with promising hints, but he could have pushed a little harder. That’s quite unfortunate because this madness stands on its own two feet only thanks to the divine Tim Curry, whose tranny creation is unparalleled on screen. All in all, it’s as entertaining as De Palma's (sadly underrated) Phantom of the Paradise. (20/04/2007)