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A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver (Ed Harris) soon finds himself on a spectacular odyssey 25,000 feet below the ocean's surface where he confronts a mysterious force that has the power to change the world or destroy it. (official distributor synopsis)

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Reviews (13)

DaViD´82 

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English From a purely filmmaking point of view, this must have been hell to film in such cramped spaces. And when a chink of space appears, it immediately fills with water. But purely from a viewer’s point of view, it’s good that Cameron decided to go accept the challenge of making it. This has a fundamentally positive impact on the atmosphere. But this makes the ending all the more annoying, because Cameron is no good at presenting (selling) a message like this. The movie simply lacks even a drop of Kubrick inside it and not even the longest of director’s cuts can help. ()

EvilPhoEniX 

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English Is this really from 1989? I can't believe how attractive and appealing the visuals of the film are. I'd guess 2005, too bad 80s horror films weren't as high on the technical side as The Abyss. At first I thought it was going to be a space sci-fi flick, after all it is set in a nuclear submarine (which I'm not too fond of), but luckily the film was spiced up with an alien visitation as well as a lot of other fitting elements. For its running time, the film has a decent pace and doesn't get boring. The highlight for me is the emotional resuscitation and exploration of the ocean floor by Ed Harris. The only thing I see as a minus is that the thriller psychosis didn't develop into a more vigorous massacre. 80% ()

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D.Moore 

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English I finally saw the extended version of The Abyss. And it was great! Yes, it's true that the somewhat heavy-handedly moralistic conclusion simply can't have the same impact today as it did in 1989, but I'm still willing to turn a blind eye and give it a fifth star. After all, the film runs like clockwork for almost three hours, it doesn't get boring and still has something to offer. Amazingly claustrophobic exploration of a crashed submarine, literally revolutionary special effects scenes, perfect underwater shots, an excellent mini-submarine chase that has nothing to be ashamed of even in 2011, likeable characters like the marines from Aliens that will quickly grow on you, excellent actors with Ed Harris and Michael Biehn in the lead, roaring and magical music by Alan Silvestri... And above all, Cameron's traditional perfectionism is visible in every second. As I said - the ending can make you shudder, get angry, laugh... If the film has so many positives, then four stars would simply not be enough. CALL GUINNESS. ()

gudaulin 

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English I didn't see the film during its release in movie theaters and I only watched it now as part of filling gaps in the world of cinema. Therefore, I cannot be influenced by any nostalgia and I can easily compare Cameron's famous film with the current offerings in the respective genre. The main advantage of The Abyss was undoubtedly its cutting-edge special effects, which, understandably, lose their shine with the passing years, exposing the triviality of the plot and the hopelessness of the screenplay. Moreover, the concept of the cute aliens who wave at you in a friendly manner and are so kind that you would immediately move them into your living room really bothers me, and I am only open to it in the case of E.T. The remaining aspect is Cameron's precise direction, which earns The Abyss a three-star rating, although just barely due to its overlong duration. In the last third, the film dragged on so much that I longed for Cameron's finances to run out and for him to quickly stop the film... Overall impression: 50%. I can't help but also point out the absence of any deeper thoughts in the film. This really isn't 2001: A Space Odyssey. ()

Kaka 

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English James Cameron always gets his way and when he sets his mind to something, everything just falls into place. From the filming system, the set construction, the casting, down to the tiniest decorations and details. He is a brilliant director and when it comes to potential, there is hardly any competition in Hollywood. The Abyss, above all, has an immense power in the ending and the duo of Ed HarrisElizabeth Mastrantonio is so perfectly chosen that it's hard to believe. The presence of complex visual effects doesn't overwhelm, and everything is exactly as it should be. ()

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