Directed by:
James CameronScreenplay:
James CameronCinematography:
Adrian BiddleComposer:
James HornerCast:
Sigourney Weaver, Carrie Henn, Michael Biehn, Paul Reiser, Lance Henriksen, Bill Paxton, William Hope, Jenette Goldstein, Al Matthews, Mark Rolston, Ricco Ross (more)VOD (5)
Plots(1)
The terror continues as Ripley (Sigourney Weaver) returns to Earth after drifting through space in hypersleep for 57 years. Although her story about the alien encounter is met with skepticism, she agrees to accompany a team of high-tech marines back to LV-246... and this time it’s war. (20th Century Fox Home Entertainment)
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Reviews (14)
James Cameron is a very wise and clever man. The way he was able to gracefully bridge Scott's horror film (the 57-year time gap, the nightmares, the colonization of the planet) to his own vision of an alien encounter is admirable. It’s an impressive action ride that is unrivaled across all weight categories. It’s built on ingenious editing, (now legendary) sound, and of course, a bunch of marines who, apart from an amazing arsenal, also spew a bunch of catchphrases that should be carved into the most expensive marble. This simply fascinates me even after more than twenty years. To this day I still wonder how something like this film could have ever been made... for me, this is James Cameron's best film and think what you will about it, but that's about all you can do.
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Where Ridley Scott triumphed through the use of a creeping atmosphere, Cameron puts his money on action-packed antics at a seemingly deserted military base. Where Ridley afforded us just as fleeting as possible glimpses of the alien, believing that unseen evil is the most effective, Cameron deploys whole armies of aliens degraded to the role of insectoid cannon fodder. Where Scott has made do with a few actors in what is almost a chamber piece, Cameron gives us a mega production. Hard to say which of them is better. Both are completely different and yet perfect, although each in its own separate genre. But I won’t try to hide the fact that I prefer the movie that uses the singular in its title.
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Hands down the best installment of this famous franchise. James Cameron confirms his incredible talent and visual sensibility here and imprints the film with his unique directorial style. The action is fantastic, raw and “realistic”. Similarly, the characters are unusually dense and well-developed for this type of sci-fi. The Marine commando is one cool gang, dropping one-liners faster than the bullets from their machine guns. Finally, we get to see the feared monster in all its beauty and power, and it's no longer just “a guy in a costume”. Sigourney Weaver is even more likeable, and her transformation from a timid advisor to a seasoned warrior is brilliant. The minimalist soundtrack and the android Bishop have become legendary. Together with Blade Runner, clearly the best sci-fi films of the 1980s.
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Clearing a seemingly unattainably high bar was an impossible task, but James Cameron did what he could. Ripley still works, and even Newt, Hicks, and Bishop quickly grew close to my heart. Still, I only started to like Aliens after seeing the extended version, which truly gives the right charge to the psychological background of the first half. The film's success with the audience is also due to the timeless action and breathtaking moments full of elegantly deadly antagonists.
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A really good action film, even one of the best. It has perfect craftsmanship, but compared to the original Alien, it's just too uniform and predictable. Cameron is undoubtedly a great fachman, but one sees through Aliens very quickly. Still, some of the ideas are unforgettable (for example, cameras in the soldiers' helmets). High above standard in the genre. And after seeing the SE I can only add another star. The excellent atmosphere is guaranteed by both the added additions (e.g. Newt and Ripley's deep relationship is much more logical) and the excellent THX packaging... I enjoyed the atmosphere almost as intensely as I did the first time. :o) Light predictability remained... I'm not so sure about the uniformity anymore. Of course, from a filmmaking point of view, Cameron did not achieve Scott's vision, but one cannot ignore the fact that his visions predetermined the form of science fiction not only in film.
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