The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

For adult viewers, this bit of Disney brainwashing is almost indigestible. It conceptually rips of The Lord of the Rings in numerous scenes (mainly through identical camera runs). It’s actually The Lord of the Rings for the youngest children, who can be made happy just by showing them colorful characters running around in a meadow. You won’t find even a nod to adults here. (12/12/2005)

An awkward and boring mix of Lord of the Rings (camera swoops, the battle cries, slow-motion shots) and Harry Potter (colorful production design and Victorian-style sets), but boring plot-wise and technically very clunky. The final battle is okay, but the lack of blood and excessive visual effects bring down the overall effectiveness to average. The young actors are surprisingly unlikeable and not very equipped in terms of acting, which could still be bearable if they had anything to work with; the dismal script doesn't give them much space. Beautiful production design and artistic style are not everything, and the film starts to become boring after a while, that is if you are older than twelve. (12/05/2006)

After Renata Fučíková's illustrations and the BBC adaptation of the first four books, I got a Narnia I’d never even hoped for. I saw it on the big screen 4 times, countless times on DVD, and it was revived regularly and never forgotten. I'm happy and crossing my fingers that all seven adaptations will finally be made. Maybe on Netflix, and hopefully for the fifth time, a complete set. (03/02/2009)

For children under 12 years old, this is a wonderful spectacle. I am not going to deny that I enjoyed it immensely when I was quite young, and I daresay it even trumped Lord of the Rings for me – however, times change, and so do opinions. Today I would say it is just another cult movie alongside Lord of the Rings and Harry Potter, but this time aimed at younger children. Adults will be a bit hesitant, teenagers will probably be rather disappointed. Why? The first stumbling block is the four child actors, the only one I liked was Anna Popplewell as Susan. The other three are just as demented as the families in The Simpsons, or even Family Guy. Skandar Keynes as Edmund is grumpy, obnoxious, and unlikable from the get-go, William Moseley comes across as a serious and wannabe classic-positive-character-with-whom-it-is-easy-to-identify-with type, and Georgie Henley, who is a slowly rising star in the US, and even compared to AnnaSophia Robb and Dakota Fanning, is lovely, but only when she has to be. Otherwise, she is so big-headed, pouty, and smug it is horrible to watch. On the other hand, Tilda Swinton is excellent and gives off a wonderfully icy impression, the digital treatment of Aslan and the magical creatures is breathtaking. The plot is, however, mediocre. All in all: this is an excellent movie for kids under twelve, and an average movie for most adults, the dissatisfied ones may mostly be teenagers or some adults or older people. Andrew Adamson should go back to Shrek. P.S In addition to all of that, another thing: Gregson-Williams' soundtrack is absolutely amazing (especially “The Battle”). (17/06/2008)

I can't help but feel that the first installment never really impressed me. The only things I really appreciate about it are the special effects, both the classic ones and the digital ones. They simply look great. But the story didn't grab me, nor did the characters, except maybe Aslan. I'm surprised the series is still going and more installments are expected. (14/03/2015)