Infested

  • France Vermines (more)
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Kaleb, a lonely man whose greatest passion are exotic animals, returns home with a mysterious spider and it escapes, causing an infestation that plunges the neighborhood into a state of absolute hysteria and chaos. Before long, the locals are placed under quarantine, and are forced to live with a plague of arachnids that become more and more deadly as time goes by. (Sitges Film Festival)

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Reviews (12)

RUSSELL 

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English What an intense ride. I haven't squirmed in my seat like that in a long time. Vermines is an instant classic, right up there with Arachnophobia in the spider horror subgenre. The filmmakers nailed the perfect blend of practical effects, CGI, and live spiders, making it incredibly effective. If you have a severe fear of spiders, this film will leave you physically unsettled. I never expected something like this to come out of France, and even more surprising, it's a debut. I'm looking forward to seeing more from Vaniček in the future. ()

Stanislaus 

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English I'm definitely not a fan of spiders, but my curiosity lured me to the cinema to see Infested, as I have a bit of a thing for animal horror movies (about overgrown crocodiles, snakes, boars, sharks, etc.). Sébastien Vaniček's film impresses with a soundtrack I would have expected in a film about drugs or the mafia rather than deadly eight-legged creatures - though drugs are often mentioned. As far as the action-horror level is concerned, it works on the whole; here I would highlight especially the scene with the flashing corridor, which gave me solid goosebumps. But the overall experience is noticeably marred by the characters and their actions, it was really hard to root for them to escape the "web of death". ()

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POMO 

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English In the history cinema dating back more than a century, we can count the number of high-quality arachnocentric horror movies on the fingers of one hand, or maybe both hands if we squint our eyes. And I am pleased that their ranks newly include this French spider spectacular.  However, the experience that it provides depends heavily on the extent of your arachnophobia, because it’s not about likable characters or nice landscapes. It rather takes place in an apartment block on a French social housing estate and its protagonists are rebellious odd-jobbers and adolescents whose survival will be of no concern to you until the final quarter of the film. But the apartment building has a brilliant circular design patterned on a spider web, the spiders multiply rapidly and actually look like real, live spiders (in a French genre film by young enthusiasts!), and more than one scene is so intensely scary that you’ll get goosebumps and hold your breath. The fourth star is for the cinema experience with good sound. [Sitges Film Festival] ()

J*A*S*M 

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English Infested can most easily be described as a mix of Arachnophobia, REC, and Evil Dead Rise, and it's really no wonder Sébastien Vaniček was put in charge of the next addition to the latter franchise. This debut is an instant ticket to the premier horror league, managing to make a perfectly crafted, very intense film that doesn't have much competition within the spider horror genre. Especially, as long as the creatures are small and nimble, it worked for me 100% and I twitched with very high frequency. I don't even want to imagine how much better this film would have worked if it had more likeable characters that you cared about. The protagonists are, for me at least, the biggest stumbling block, especially the fact that their characters imply some very questionable decisions, which at one point exceeded my tolerance level. There is a thing one of the characters does about 15 minutes before the end that wouldn't have been done by the most anti-system asshole at that point, there's just no justification for it. It's exactly the moment when, as a viewer, I stop "experiencing" what's happening on the screen and start saying WTF instead. ()

Gilmour93 

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English Attack the Block for entomology. The scene of walking through the hallway to the garages, which felt like a challenge from Fort Boyard accompanied by shouts of allez, allez, vas-y, vas-y, served as a turning point where arachnophobia started to be somewhat forcibly replaced by capiophobia (fear of two-legged arthropods with pincers). At the same time, the inverse relationship began to be confirmed: the bigger the spider, the less authentic the sense of dread (the bathroom attack remained unsurpassed). When the problem on the outskirts of society was finally brought down, I remembered Kandisha by the duo of Alexandre Bustillo and Julien Maury and started wondering if there was something deeper to be found behind it... ()

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