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Based on the novel by Hubert Selby Jr, the film follows heroin addicts Harry (Jared Leto) and Tyrone (Marlon Wayans) as they look to make some cash as drug dealers. Accompanied by Harry's girlfriend Marion (Jennifer Connelly), the trio attempt to get their business off the ground but are soon hit by a number of problems. With their Florida supplier cutting back on distribution and Tyrone sent to jail for his involvement in a gang shooting, Harry is forced to travel to Miami to try and score the drugs while Marion is forced into prostitution in order to feed her habit. Meanwhile, Harry's mother Sara (Ellen Burstyn) becomes addicted to weight loss pills and is hospitalised after suffering from debilitating hallucinations. The cast also includes Christopher McDonald, Louise Lasser and Marcia Jean Kurtz. (Lionsgate UK)

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Reviews (13)

D.Moore 

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English Requiem for a Dream confirmed that I really don't like movies about drug addicts. If it weren't for the story of Harry's mother, I'd probably give it a single star for the direction and the music and that would be it. My problem is that I wanted the worst possible ending for virtually all the characters (except for the aforementioned Sara Goldfarb) from the very beginning. And that is why the ending, praised by many, full of emotions and evoking depression, didn't touch me particularly. All in all, I think the only thing that really impressed me was the (brief, because I always closed my eyes) sight of that inflamed hand. Two and a half stars. ()

novoten 

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English Huge, and followed just after the end of the movie by an indescribable depression about addiction to anything, with incredible performances by the main foursome. Darren Aronofsky's amazing directing, full of captivating visual ideas, makes this film an unforgettable masterpiece. ()

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Marigold 

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English Straightforward - transparent - destructive. Although one swears that Aronofsky is working with his triad of destinies so ostentatiously that the viewer cannot be caught with his pants down, it happens nonetheless. Thanks to famous editing, fantastic music and a gourmet tempo, and the atmosphere of the shots, Requiem for a Dream escalates into unbearably creaking tones of frustration and humiliation. Mansell's central melody makes one feel cold, but the visual poem Darren composed for it tears the skin. Although the film typically does not have a particularly deep interior, its surface is so perfect and so well targeted that it cannot be resisted. ()

J*A*S*M 

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English I’ve just watched it and I’m full of impressions. This film should be mandatory for anyone thinking about trying drugs. I can’t remember ever watching a more intense and more hopeless film. Even the beginning is no idyll and things only get worse with every minute, and by the end the situation is utterly bleak. Aronofsky seems to be a huge talent and I don’t think it’s too off the mark to say that he’s one of the most promising directors today. The way he plays with images, music and sounds is just perfect, the direction of the dream and hallucinogenic sequences is truly psychedelic. 100% ()

Stanislaus 

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English Requiem for a Dream is a breathtaking journey into the human mind, which hides countless horrors and phobias in its recesses and is a virtually inexhaustible commodity as a film subject. Who really knows what goes on inside the heads of people who are addicted to any kind of drug? And it is Darren Aronofsky who manages to outline one variant in this powerfully emotional film in a rather convincing and frighteningly realistic way. Ellen Burstyn was incredibly real and embraced her role to the fullest, while being complemented brilliantly by the performances of Jared Leto and Jennifer Connelly. All of the pillars (direction, actors, cinematography, editing, sound... and especially the music) that make up a solid film were firmly planted in the ground, and I just enjoyed the stirring spectacle that raced inexorably towards one of the most impressive conclusions in cinema. In short, the perfect prototype for a psychological drama with a nod to thriller, with which Aronofsky rose strongly in my estimation. ()

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