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In the breathtaking follow-up to Before Sunrise, Celine tracks down Jesse, now an author, at the tail end of his book tour in Paris, with only a few hours left before he is to board a flight back home to the States. Meeting almost a decade after their short-lived romance in Vienna, the pair find their chemistry rekindled by increasingly candid exchanges about professional setbacks, marital disappointments, and the compromises of adulthood. Impelled by an urgent sense of the transience of human connection, Before Sunset remains Richard Linklater’s most seductive experiment with time’s inexorable passage and the way love can seem to stop it in its tracks. (Criterion)
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Before Sunset starts out as a disarming conversational summary of the thoughts I wake up and fall asleep with every day. It later becomes a terribly likeable and scintillating conversational “romance” with an applause-worthy ending. Richard Linklater, Ethan Hawke and Julie Delpy are simply divine!
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The cleverly written dialogues are brilliantly delivered by both Ethan Hawke and his partner Julie Delpy. The film avoids sentimentality and romantic clichés, it captivated me with its simplicity and naturalness, while remaining interesting every second.
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I have the opposite experience with Linklater's film trilogy than most other viewers. I didn't watch the first part and I gave the second a chance, but I didn't find any great enchantment in it, and it was only the last part that really interested me. With the exception of the opening scene in the bookstore, Before Sunset can be considered an endless dialogue between two people, where the scenery changes only a few times in 80 minutes. I have always liked dialogue-driven films, but here I feel that Linklater is testing the limits of my patience. The conversations between the duo in search of each other in the second part are not as narratively banal as in the first, but I don't find any depth in them by any means. Overall impression: 55%.
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I saw it shortly after finishing Before Sunrise, and at first I was a little scared that they wouldn't be able to recreate the atmosphere. Fortunately, every sentence spoken gains meaning over time, every casual conversation takes on a different dimension, and suddenly Celine is saying, "I was fine until I read your fucking book!" and I break down into molecules just like Jesse. The second viewing elevates Richard Linklater's work to the unforgettable, and with its more mature but no less magical storytelling spirit, it manages to grab the viewer and fill them to the brim with emotions and experiences.
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When those two look at each other, you immediately know it’s going to be beautiful. They simply click perfectly, and their meeting is beautiful. After nine years, they see each other for the first time since she didn't keep her promise and wasn't at the place they were supposed to meet after six months. But he came. After nine years, they have the opportunity to talk again and say what they want to. Both are incredibly believable; the camera lets them speak and follows them as they walk through Paris, capturing their words as if documenting the meeting of two real people who haven't seen each other for nine years. A beautiful romance. Just beautiful.
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