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Regarded as one of the best American films ever by the American Film Institute, Francis Ford Coppola's epic masterpiece features Marlon Brando in his Oscar(r)-winning* role as the patriarch of the Corleone family. The Godfather(tm) is a violent and chilling portrait of the Sicilian family's struggle to stay in power in a post-war America of corruption, deceit and betrayal. Coppola begins his legendary trilogy, masterfully balancing the story of the Corleone's family life and the ugly crime business in which they are engaged. Based on Mario Puzo's best-selling novel and featuring career-making performances by Al Pacino, James Caan and Robert Duvall, this searing and brilliant film garnered ten Academy Award(r) nominations, and won three including Best Picture of 1972. (Paramount Pictures UK)

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3DD!3 

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English Puzo's book was once recommended to me by my grandmother and, it completely captivated me. I felt the atmosphere of the family and from the first page it was as though I already knew them all - it felt like they were my own family. Still, I was a little worried about what the movie would end up being like, but Coppola handled the adaptation perfectly. He preserved the atmosphere, honed all the details, and, with amazing precision, made sure to keep the fans of the original happy. Marlon Brando, as Don Vito, made an indelible mark on cinema history, and Al Pacino gave one of the best performances of his career. The Godfather is a legend, and I'm glad I finally got to see it. ()

J*A*S*M 

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English In terms of filmmaking, it’s flawless and brilliant, but the story didn’t captivate me that much and I didn’t care how it would all end. The best thing in the film is Marlon Brando’s performance, even when he’s laying down silent, he’s the most charismatic character on screen. Even though this film didn’t thrill me as much as I expected, I’m still quite curious about the second part. ()

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Marigold 

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English It was only the silver screen that finally allowed me to feel the greatness of this gem, which, in the limited and shallow surface of the TV screen, always felt kind of convoluted and without the depth of some of Coppola's other works. It was, of course, a mistake. The Godfather is an extraordinarily robust epic, a purely narrative film whose monumentality is full of fine details and scenes constructed with architectural precision (the way the director masterfully combines different elements of storytelling to amplify intense tension is unique). It cannot be consumed in parts, it cannot be turned off. Coppola is intense, the scenes logically blend into each other (the interlining edit is not self-serving), and it is fascinating to watch the transformations of characters who seem to have aged with the film and radically reshaped themselves internally. The Godfather is "film-life," a radical manifesto of a fictional time that, with its grip and power, can completely control the current time. A captivating, contemplative experience that really needs this great canvas. ()

DaViD´82 

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English I give you an offer you cannot refuse. Either you watch The Godfather and get to see the zenith of filmmaking craft or... No comment. But in that case, don’t be surprised if you find a part of a horse in your bed this evening. As an adaptation of the book, I give this “only" four stars, but as a movie in its own right, it must get a full five. ()

Zíza 

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English I can kind of see why this movie became a legend. To be honest, I didn't enjoy it much, but I have to admit that the sound, the execution of some of the scenes are brilliant. That's why the four stars... otherwise simply: the mafia doesn't do much for me, its hierarchy not at all, I caught myself bored many times. I don't need to see it again, nor do I want to. Yes, Brando was great, Pacino's transformation was great, but I have a sneaking suspicion that I would have enjoyed it much more as a book. But I liked the ending, I really did :-) ()

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