Directed by:
Louis LeterrierScreenplay:
Zak PennCinematography:
Peter Menzies Jr.Composer:
Craig ArmstrongCast:
Edward Norton, Liv Tyler, Tim Roth, William Hurt, Tim Blake Nelson, Ty Burrell, Christina Cabot, Peter Mensah, Lou Ferrigno, Greg Bryk, Martin Starr, Chris Ratz (more)Plots(1)
Scientist Bruce Banner desperately seeks a cure for the gamma radiation that contaminated his cells and turned him into The Hulk. Cut off from his true love Betty Ross and forced to hide from his nemesis, Gen. Thunderbolt Ross, Banner soon comes face-to-face with a new threat: a supremely powerful enemy known as The Abomination. (Walt Disney Studios Home Entertainment)
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Reviews (12)
From an antique tragedy interspersed with Marvel action, we've dropped a few steps down. And remained standing in a contradictory mezzanine. Five years after Ang Lee's vision, which was received rather hesitantly, it is no wonder that we were supposed to forget about it from the very beginning. For my part, I could see that version a hundred times, but I give up because I know I am in the clear minority. And yet Louis Leterrier is so excited about the previously overlooked Hulk-smash that he doesn't care much about character depth or traumatic inserts, and the Brazilian intro annoys even him. As for the central characters and their performers, I have to frown a bit as well, because Betty is nothing more than a lovely catalyst for Banner's emotions this time, and Edward Norton's portrayal of the titular hero is occasionally disappointingly shallow. So why the high rating in the end? Because every action scene is an explosive, impressive spectacle that takes your breath away, and Blonsky a.k.a. Abomination boldly joins the gallery of marvel villains waiting to be cursed in the future, for whom I regularly have a weakness. The decisive factor for the fourth star is that this version of Hulk works solely and exclusively as bait for The Avengers. It's true that Iron Man, Thor, and Captain America are a class or two better, leaving Bruce as a small green orphan child, but from a rather unimpressive superhero side gig he ultimately matured into a pleasant one-off treat.
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A unique cast versus primitively crafted characters at the level of 2D PC games. Blockbuster ambitions versus B-movie clichés. Straight-faced tacky stylization and fetishized straightforward and self-serving militaristic action. Simply put, The Incredible Hulk is a “completely new level of weird”, or an entertaining guilty pleasure worthy of the Golden Raspberry Award for the worst movie of the year.
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I still don’ t understand why there made an incomprehensible remake of a fairly new movie when it was already clear in advance that it would turn out more or less the same. Hulk doesn't have a good story and doesn't have that potential, he’s too serious and dramatic for a comic book hero. Technically, it's the same as with the previous film: impressive overall, but unfinished in the details. Tim Roth adds the necessary spice to it, Liv Tyler is an ornament (classic), and Edward Norton with his worried face also doesn't interest much. At least the opening credits made a proper “upgrade” and, with it’s solid orchestral accompaniment, it is one of the few captivating things you will see in the movie.
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A pretty decent sequel that does Marvel no shame. The action scenes are perfectly executed and edited, and Louis Leterrier doesn't spare them, leaving the viewer not much time to think. There can be no complaints about the actors either, Edward Norton is as reliable as ever, Tim Roth handles bad guys like few others and Liv Tyler is really just there for decoration and a necessary romantic motif. But all this clashes with the insanely B-movie content, which has more clichés than a German romantic film where two lovers declare their love on a breathtaking seashore. The Incredible Hulk has no chance of becoming a classic like Raimi's Spider-Man, but it works more than well as an unpretentious comic book flick – and sometimes that's enough. 70%
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I wasn't thrilled that the first Hulk’s original footsteps were abandoned, but it didn't turn out as badly as I expected. In fact, it turned out unexpectedly well. Although the mystery, cleverness, and fatefulness that Ang Lee delivered a few years ago are gone, we're getting a pure-bred action comic book movie, which, for The Hulk, is probably for the first time. I really enjoyed the unchanged Banner's chase scene with the soldiers on the Favela roofs, and I was glad that Leterrier approached it with the same care as, say, the fight between Blonsky and Mr. Green. Edward Norton was great as usual, and Roth and Hurt make worthy opponents. Only Liv Tyler sometimes seemed “weird". I also have to praise highly the music of Craig Armstrong, who was really playful with the soundtrack. Plus, for fans, we also have references to the Avengers and a visit from Robert Downey Jr. I had more fun than I’ve had in a long time.
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