Directed by:
Louis LeterrierScreenplay:
Zak PennCinematography:
Peter Menzies Jr.Composer:
Craig ArmstrongCast:
Edward Norton, Liv Tyler, Tim Roth, William Hurt, Tim Blake Nelson, Ty Burrell, Christina Cabot, Peter Mensah, Lou Ferrigno, Greg Bryk, Martin Starr, Chris Ratz (more)Plots(1)
Scientist Bruce Banner desperately seeks a cure for the gamma radiation that contaminated his cells and turned him into The Hulk. Cut off from his true love Betty Ross and forced to hide from his nemesis, Gen. Thunderbolt Ross, Banner soon comes face-to-face with a new threat: a supremely powerful enemy known as The Abomination. (Walt Disney Studios Home Entertainment)
(more)Videos (6)
Reviews (12)
Compared to Lee's Hulk, this one is filmed without a shred of an idea. The story unfolds in the style of "action - boredom - more action - boredom - a bit of suspense before the ending - boredom - final overstuffed mega-action". Of all the characters, I liked the villain Blonsky the most (I can take Tim Roth anywhere, anytime, especially when he plays a madman), and that probably wasn't the intention either. Letterier wants to impress mainly with the digital effects, but they are not very good, and at the end he piles so many on top of each other that it's unbearable, the unsympathetic Edward Norton has one facial expression throughout the film and Liv Tyler has two. But above all, it is sorely lacking in perspective! Everything is presented with such awkward seriousness... It was simply terrible.
()
Ang Lee wasn't far from the truth, but unfortunately, his Hulk came at a time that hadn't yet reckoned with the macho MCU. The Incredible Hulk of the new generation is the latest take on the classic Beauty and the Beast myth, Frankenstein's Monster, the Monster of the Black Lagoon, Swamp Thing, and more. However, I am pleased to acknowledge that, in terms of the acting, Hulk features very decent performances from Edward Norton and Liv Tyler, though the whole thing could be considered merely as "trying" - and, in retrospect, just a straight-up Marvel movie. Bruce and Betty's romance is truly life-like and their shared intimacy is very realistic. The MCU has lost a lot by losing this duo.
()
Early on, Leterrier blows Lee’s work away during the opening credits, but that's where the positives in relation to the previous film end. That there are only three action scenes in two hours doesn’t bother me so much given that even without the Hulk's fights with the army, there is still something going on and it's solidly paced. However, Leterrier's forte is contact fights in an arena or in mafia dens. In the bigger scenes, he desperately steals wherever he can think of, meaning that the opening is "Bourne Morocco," the university ambush replicates Ang's tanks from the desert, and the ending is all about CGI battles. The rest is horribly sterile so that the fated love fizzles out and the viewer shakes his head sadly. But I’m quite curious to see if the team offered at the end will really actually happen.
()
From an antique tragedy interspersed with Marvel action, we've dropped a few steps down. And remained standing in a contradictory mezzanine. Five years after Ang Lee's vision, which was received rather hesitantly, it is no wonder that we were supposed to forget about it from the very beginning. For my part, I could see that version a hundred times, but I give up because I know I am in the clear minority. And yet Louis Leterrier is so excited about the previously overlooked Hulk-smash that he doesn't care much about character depth or traumatic inserts, and the Brazilian intro annoys even him. As for the central characters and their performers, I have to frown a bit as well, because Betty is nothing more than a lovely catalyst for Banner's emotions this time, and Edward Norton's portrayal of the titular hero is occasionally disappointingly shallow. So why the high rating in the end? Because every action scene is an explosive, impressive spectacle that takes your breath away, and Blonsky a.k.a. Abomination boldly joins the gallery of marvel villains waiting to be cursed in the future, for whom I regularly have a weakness. The decisive factor for the fourth star is that this version of Hulk works solely and exclusively as bait for The Avengers. It's true that Iron Man, Thor, and Captain America are a class or two better, leaving Bruce as a small green orphan child, but from a rather unimpressive superhero side gig he ultimately matured into a pleasant one-off treat.
()
I still don’ t understand why there made an incomprehensible remake of a fairly new movie when it was already clear in advance that it would turn out more or less the same. Hulk doesn't have a good story and doesn't have that potential, he’s too serious and dramatic for a comic book hero. Technically, it's the same as with the previous film: impressive overall, but unfinished in the details. Tim Roth adds the necessary spice to it, Liv Tyler is an ornament (classic), and Edward Norton with his worried face also doesn't interest much. At least the opening credits made a proper “upgrade” and, with it’s solid orchestral accompaniment, it is one of the few captivating things you will see in the movie.
()
Ads