Dark City

And they say lightning doesn’t strike twice. If Proyas's The Crow was dark, depressing, interestingly stylized, and narratively "unusual", all this is doubly true for Dark City, a very bleak and unpleasant vision of a world dominated by bald aliens who are allergic to light, can bend physics to their advantage and have a motive that, even after much thought, doesn't seem illogical or nonsensical. Of course, we've seen the single hero destined to carry out a revolution and defeat an invincible foe a few times before, but when everything around is so tastefully polished, thoughtful and novel, a little cliché can never hurt. And Jones’s soundtrack is perfect for the genre :)) 85% (24/12/2013)

The materialized nightmares of Alex Proyas, where hope in impenetrable darkness remains in the form of the beautiful Jennifer Connelly. In Dark City, the characters sound believable. and yet perfectly and characteristically divided between the charismatic protagonist and the doctor excellently played by Kiefer Sutherland. And just when everything starts taking itself too seriously, a horde of aliens arrive, boldly settling the film back into the position of a more cheaply constructed sci-fi narrative. But who cares, when it can be so innocently irresistible. (25/01/2006)

Wow, that was a ride! Mix together Metropolis, P.K. Dick, Burton, Gilliam, the Coens, and maybe even The Matrix, add to that Proyas' ornate direction and Proyas' very, very bizarre script... And you get Dark City. It's a juicy treat for genre lovers, which I would probably recommend to Franz Kafka if he ever wants to come back from the grave to watch a movie. (23/07/2010)

Incredible. Proyas is an expert at bleak atmospheres, and this strange city hides a truly depressing secret. Almost all the actors are excellent but Kiefer Sutherland clearly reigns over them, and his doctor is very ambiguous throughout. Jennifer Connelly is again incredibly magical here. And yes, Dark City is quite similar to The Matrix. (29/06/2009)

Alex Proyas revels in the dark. He literally loves it. And he wants the viewer to love it too. This is not only the case with Dark City, but also with his other films. If there's a dawn breaking, it's more metaphorically, through enlightenment, change. This precursor to The Matrix offers another answer to what visions are presented to us and what a person can achieve. (13/10/2015)