The Exorcism of Emily Rose

I love courtroom dramas and I love horror movies. And to mix a courtroom drama with exorcism horror along with the signature of one of the best horror directors, Scott Derrickson? Score one! Laura Linney is brilliant and believable as the defense attorney, and the whole story is simple but so suspenseful and engagingly delivered that you are glued to your seat from beginning to end just waiting for the final verdict. It's an atmospherically captivating film that takes place in a courtroom rather than the horror section that the film is more or less just spiced up with, but as a whole it works well and I don't have much to fault it for. (11/07/2022)

The Exorcism of Emily Rose serves up proper portions of impressive chills, for which – as in The Grudge – composer Christopher Young deserves a lot of credit. However, these very effective elements of modern horror are overshadowed by a courtroom drama that begs to be handled more intelligently and in a more dignified manner. The theme, which elevates the film above the current crowd of mediocre horror movies, is used only superficially by the filmmakers, who thus miss the mark. In comparison with Friedkin’s The Exorcist, this film is merely a skillfully shot diversion based on a mediocre screenplay. (26/10/2005)

A fine courtroom drama with an interesting and attractive premise, from which I will only remember the absolutely brilliant ten-minute or so scene of the actual exorcism of Emily Rose. It doesn't let you breathe and becomes a clear highlight of scenes of this kind, including The Exorcist. (02/12/2005)

Scott Derrickson kicks William Friedkin's ass with the exorcism scene alone, but the positives don't end there. It is true that the courtroom intrigue is routine, but it’s not going to offend the more modest viewer, and thus the film’s main asset is the actual rendezvous with the forces of darkness. It’s filmed so perfectly that the producers of any ghost story remakes should get a little technical training from Derrickson. Derrickson does good work with the camera, music, and sound, meaning that many passages are very pleasantly chilling. Of the actors, the famed Tom Wilkinson clearly carries the film, but it's Jennifer Carpenter's creation that makes my chin drop. It's unfortunate about the cautious approach to the Church itself, more controversy would not have been a bad thing. Although it is a fact that it’s better this way, rather than poser shouting into the dark, as we see elsewhere. The result is a surprisingly clever and skillful film that won't cause you to have sleep problems, it will in a sense please you. (22/07/2008)

My skepticism towards the easily outdated topic disappeared when Laura Linney first appeared and the seemingly unbelievable intention to connect a courtroom drama with a horror movie started to fit into the presented concept naturally and simply. When the courtroom storyline becomes too straightforward, we are given a compelling insert of the twisting Jennifer Carpenter; when similar scenes exceed the limits of tolerability, we return to another hearing. Moreover, the formula "based on true events" works reliably this time as well, and during this brisk, but above all, unpredictable film, theological and philosophical dilemmas were running through my mind non-stop. So mainly for that, not to mention the long-awaited climax in court, I must give The Exorcism of Emily Rose a big salute. (04/04/2006)