Directed by:
Christophe GansScreenplay:
Roger AvaryCinematography:
Dan LaustsenCast:
Radha Mitchell, Sean Bean, Jodelle Ferland, Kim Coates, Deborah Kara Unger, Alice Krige, Nicky Guadagni, Laurie Holden, Roberto Campanella, Stephen R. Hart (more)Plots(1)
Rose cannot accept the knowledge that her daughter Sharon is dying of a fatal disease. Over the protests of her husband, she flees with her child, intending to take the girl to a faith healer. On the way, she ends up driving through a portal in reality, which takes her to the eerie and deserted town of Silent Hill. Sharon disappears in Silent Hill, and Rose follows what she thinks is her daughter's silhouette all over town. It's soon clear the town is not like any place she's ever been. It's inhabited by a variety of creatures and a living darkness that descends and literally transforms everything it touches. The human inhabitants - the ones who are left - are trapped and fighting a losing battle against the Darkness. Joined by a cop named Cybil, who has been sent to bring her and Sharon back, Rose searches for her little girl while learning the history of Silent Hill and that Sharon is just a pawn in a larger game. To save her daughter, Rose makes a deal with a demon in the form of a little girl. (Pathé Distribution UK)
(more)Videos (2)
Reviews (10)
In Silent Hill, Christophe Gans didn’t set off down a path to a regular horror movie and at the beginning it turns in the direction of a psychological drama about a mother and her adoptive daughter and only later shows us hell in the real sense. At last somebody has given up on traditional (dumb) frights and Silent Hill relies on the bizarreness of deformed people - creatures (the walking...um, acid-spitting blob, Pyramid Head and the nurses). But the main thing this movie has is ATMOSPHERE in block letters and in bold. And in addition we are given a chillingly intelligent story (especially the very end will resound in your head long after) and excellent acting performances (particularly Radha Mitchell is breathtaking). I hope that the horror genre turns more this direction in the future, because this movie had me pinned to my seat with fear and sometimes I was using just one eye to watch, ostensibly using the other to read the subtitles. And that’s what horrors are meant to be.
()
Another proof that the world of PC games and the world of film are not yet very compatible. Gans brilliantly portrays the oppressive atmosphere of the game, but you can sense the leaning towards the mainstream and the resulting somewhat sterile portrayal of the horrors of darkness. The few digital boogeymen and the very decent gore didn't save it (but Pyramid Head was impressive despite the small space). They should have pushed the envelope more, throw out the boring storyline with the completely useless Sean Bean, which diluted the dense atmosphere of the film unnecessarily and did not solve anything, and above all to make the unraveling of the mystery more clear. It was too overcomplicated and chatty at the end. But Radha Mitchell was great.
()
I hadn't played the video game, but I had high expectations before the movie, followed by somewhat conflicting reactions, so I was appropriately excited. The result was pleasantly surprising. In horror movies, the atmosphere is extremely important and Silent Hill is an example of a film that stands or falls with a well-established atmosphere. The depressive environment of a destroyed city, where ash constantly falls to the ground and black smoke rolls, accompanied by the wailing sound of a siren, dark shadows appearing, and people's faces covered with gas masks all serve to evoke a feeling of claustrophobia, and dark premonition. As it is well known, people are most afraid of the unknown, and the film is logically strongest in its first third when evil still has an abstract form. If the director didn't try to explain anything, my final impression could be 100%. The twist itself didn't impress me, but fortunately, it was not decisive for the result. In its category, Silent Hill has had no competition in the past two years. Overall impression: 75%.
()
Visually, it's absolutely amazing, and whether it's Pyramid Head, Alessa, or any other revelation, I just envy what Christophe Gans presents to the viewer with a stunning piano accompaniment. Unfortunately, as someone who didn't play the original video game, I got quite lost and ended up completely lost at the end. If I hadn't looked up a lot of things, I probably still wouldn't know whether or not I even liked Silent Hill. After understanding the main connections, it's a bit far-fetched, but I give it four stars considering the atmosphere. It should have continued immediately the following year in this atmosphere and not turned the suspicious town of fog into a cheap horror brand.
()
Silent Hill is a visually captivating horror flick, particularly in the first half. It draws all of its power from its impressive sets, sound and solid acting. However, the more it reveals what’s hidden, the more predictable it becomes in terms of content, which is constructed only for effect. That said, it is the clear winner among game adaptations such as Resident Evil and Doom. It is, after all, a solid top-tier production.
()
Gallery (64)
Photo © Sony Pictures Entertainment
![Silent Hill - Making of](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/159/466/159466736_791a29.jpg)
Ads