Screenplay:
Shane SalernoCinematography:
Daniel PearlComposer:
Brian TylerCast:
Steven Pasquale, Reiko Aylesworth, John Ortiz, Johnny Lewis, Ariel Gade, Kristen Hager, Sam Trammell, Robert Joy, David Paetkau, Liam James, Chelah Horsdal (more)VOD (5)
Plots(1)
In Aliens vs Predator - Requiem, returning to their home planet with several alien captives and a dead comrade on board, two predator pilots are killed when an alien hybrid, unknowingly concealed in the body of their dead buddy, bursts forth. Before he dies however, the pilot manages to send off a distress signal to his home planet, where a predator receives it before heading off to Earth in response. The spacecraft meanwhile, has crashlanded in the woods of Colorado, spilling its deadly cargo, which immediately sets about culling the local population with extreme professionalism. It's not long before the predator arrives, unleashing another almighty killing spree, as he tries to stop the hybrid reproducing in quantities that will soon overrun the county. (20th Century Fox Home Entertainment)
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Reviews (11)
The start-up of this B-movie is great. Beginning on a predator ship, a crash, alien "face-huggers" rampaging through the forests, a predator planet, a predator who goes to Earth to find out what happened. Seriously, the film is not flawed up to this point. But then it starts to run out of breath, the atmosphere ceases to build up in any way, and most importantly - night comes and the power goes out in the city. The darkness annoyed me to no end. Everything that took place in it was unclear - especially the predator-alien fights, which were also confusingly edited. What follows is boredom interspersed with occasional eating, shooting, skinning someone (it's spectacularly filmed, yes), which culminates in a fairly decent scene at a hospital. Towards the end, the film picks up again, but to be honest, I wasn't in the mood for it after an hour and a bit. So I give both stars to the great beginning and the decent ending...
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The beginning is so fast that you can't even properly take a look, turn off the lights, and grab popcorn, and we already have alien embryos attacking the faces of poor people. This sequel strictly follows its predecessors in terms of classic trademarks and other specifics – from the sounds of fights to typical gimmicks on both sides. As a bonus, we get to see from time to time the planet of Predators (amazing) and some new cool gadget and weapons we didn’t see in the previous movies. All of this in sharper camera shots because we're no longer in the 80s, technology is advancing. Unfortunately, the plot is nonexistent and the characters, with a few exceptions, behave like morons. There are classic clichés (group division, heroic acts), but fortunately, the people don't play the main role here. The monster fights are nothing special, lacking clarity in action and a proper drive, but the emphasis on the physical abilities of each monster is intriguing (breaking through walls, destroying everything around them). As a detailed showcase of legends, it's very entertaining and technically quite decent. As a tribute to classics, it is acceptable because many scenes are basically replicas in a modern attire, but as a pure slasher, it's rather weak. Therefore, better focus on the hunter and the slimeball, and then you’ll feel better.
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The script is great for this type of film, even though it lacks original ideas and the characters are not depicted in detail, but it’s action packed and without any boring moments. What the directors made from it, however, is sadly a different story. The hard to follow, badly edited action scenes, which make up about 80% of the movie, look like a direct-to-DVD C-movie with Michael Paré. Especially the shootouts with the army will make you shake your head in disbelief. That’s too bad, because the decent production values and cult status of Aliens and Predator put together could have amounted to a spectacular B-movie.
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The potential is there, both space monsters are still an irresistible attraction for viewers, but the resulting dud is something that even those for whom the names Alien and Predator never meant much do not deserve. The level of B-ness was truly unbearable, whether it was the routine and impotent direction or the utterly insane and chaotic editing, where probably even the crew couldn't find their way around. Thank God that Rodriguez fixed everything with his Predators.
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What bothers me most about this crossover series is the fact that the creators have sucked the soul out of two icons of horror sci-fi, leaving us with only a marketing product. It’s dressed up and packaged to attract the masses and neutered enough to hurt anyone drawn to the series with any sort of sympathy. The Brothers Strause understood the task perfectly, but in looking at the individual parts, they didn't understand a single one. And so they ride a wave of references (mostly to Cameron), which they intersperse with fashionable zigzags between the boundaries of correctness (dead children and pregnant women, an interesting kill list). The result is an unwanted B-movie dominated by... the Predator. His sovereign hunting instincts entertain about as much as the Aliens have been relegated to the role of expendable insects. I’d say that kids would be entertained, but my 13-year-old brother told me that it would be better to adapt the game than to create this... shit (I added).
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Gallery (45)
Photo © 20th Century Fox
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