The Prestige

A film that seemed like a one-time magic trick the first time I watched it. I even doubted I would ever return to it. Since then, I've been doing it every year, and this sparkling narrative play, which juggles storytelling perspective and excitingly thematizes the mystery of creation and the fragile bond between the illusionist and the audience, has ultimately shown greater vitality than any other Nolan film. The architecture of the storytelling serves the characters more than anywhere else. With each change in perspective, the viewer's relationship to them changes, and the evaluation of their obsession and emotional attunement to the main motives. The point with the "aquarium-secret" may be modest, but is, at its core, ingenious. The work of a real magician. Continuous grower. (05/01/2007)

Christopher Nolan didn't win me over as a great director with his Batman films (which were really great), but he did win me over with his perfect and well thought out masterpieces Inception and The Prestige. The film has an incredibly well thought out plot and very well done time shifts that you don’t get lost. And the director loves ambiguous endings, he's a real genius at that. The Prestige is great in every way. It has a strong premise (which is a bit like The Illusionist, but at the same time completely different), it doesn't lack action, romance and mystery, and it blew me away as a viewer - what more could I ask for? In short, I don't know what or how to write to lift the film to the heights ... so I simply applaud. (26/11/2010)

Christopher Nolan is a brilliant artist who has already accomplished an incredible amount in film, and he is just barely over forty. When he directed the first "Batman" and announced the film "The Prestige," people probably thought he just wanted to take a little break from substance. But Nolan didn't want to rest at all. He took an interesting, relatively unknown book by Christopher Priest and made a film that will leave you breathless. He managed to do something that many directors have been trying to do since "The Sixth Sense" - he created such a powerful twist that it will give you chills when you realize what you have been watching the whole time. The well-chosen environment of magicians, mutual rivalry, the effort to be more and more perfect, at any cost. Hugh Jackman, Christian Bale, and Michael Caine prove how great actors they are, especially Jackman who showed that he is truly a talented actor. The other two only confirmed it. But what leads the film is the great atmosphere that culminates in a truly amazing finale. This film is meticulously thought out in every detail. There are not many like it. More: http://www.filmovy-denik.cz/2012/06/karate-kid-parchanti-hromy-blesky-uca.html (20/02/2013)

Luckily the Nolan brothers played about sufficiently with the screenplay, so the result isn’t just a set of illustrations for the original book, but a self-standing creation. Not all the changes from the book are for the best (for instance, setting the story in the present day and its almost horror feel would have looked good in the movie too), but as a whole it holds together well and works without having to have read the book. Nolan plays an intelligent game with the viewer, asking a lot of questions, but also offering some answers. In terms of directing, he handles the movie with his own inimitable style and uses a similar storytelling method that he tried out in his debut movie, Following. The only more serious shortcoming is the pretty annoying partial happy ending; they should have left the ending the same as in the book. (05/01/2007)

Christopher Nolan is slowly but surely becoming one of my favourite directors. The Prestige is sharing with Memento the position of his best film (at least for me). I like his more intimate thrillers a bit more than Batman. The actors are superb, with a Christian Bale a lot more convincing than in Batman Begins and The Dark Night. The script is awesome, packed with minor turns and impressive situations and scenes, and by the end it delivers an unexpected twist that, although not as brilliant as Memento’s, makes everything fall into place and make perfect sense. I hope Nolan will take a break from Batman so we can get again something smaller. (29/08/2008)