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Reeves stars as Tom Ludlow, a hard-nosed detective with a talent for delivering brutal street justice. When evidence implicates him in the murder of a fellow officer, the violence around Ludlow explodes as he realizes his own life is in danger and he can trust no one. (official distributor synopsis)

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Reviews (10)

lamps 

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English I have a terrible weakness for films of this type. Watching a tough cop who cuts everyone down on sight and only needs to utter a few dry lines is always a treat, especially when that cop is the likeable Keanu Reeves, who doesn't take any shit or time off in his quest for the truth. David Ayer quickly won me over with his style, I liked both the well shot action sequences and, in particular, the portrayal of a corrupt police world where no one can be safe and the best solution is usually a bullet in the head. It may be a fairytale that has been rehashed over and over, but in tandem with an excellent cast and a straightforward story, no new retelling can ever offend. ()

D.Moore 

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English Initially a hopefully gritty crime drama, which unfortunately slides towards the end into a boring story on a theme we've seen too many times before. And done better. The ending was strangely clamorous, but without emotion, although it probably should have been there, originally. The action scenes were good though, the best being the second shootout in the apartment. Hugh Laurie unfortunately got very little space. ()

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Isherwood 

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English David Ayer understood that as a screenwriter he had already exhausted himself with Training Day, so it was providence that advised him to shake hands with the neo-noir classic James Ellroy. The result is not particularly stunning, the traditional plot about the improved cop/asshole doesn't provide anything new and the director also doesn't do anything special in terms of the formal aspects. Yet the atmosphere of L.A.'s suburbs is literally dripping and the vivacity with which Keanu Reeves runs through the film is incredible. The clenched, pissed-off expression of the stubborn bulldog fits him perfectly and the viewer makes uncompromising cuts into the arm with him, of which there are many. This is Ayer's best film, but I’m not buying the negros, corrupt cops, and dark tough guys for the fourth time. ()

TheEvilTwin 

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English David Ayer is good. I've been putting Street Kings off for a long time, but I finally got around to it and I have to say it was a pleasant surprise. Keanu Reeves plays a troubled cop who kind of interprets the law to suit himself and the whole story is in his direction, but then unexpectedly bigger problems start happening that overwhelm him and the ride begins. Police corruption, action, suspense, and most importantly an A-list cast (Reeves, Forest Whitaker, Chris Evans) in a solid action flick that kind of rides its wave. In the last half hour everything takes an amazing surprising turn and the film throws one solid twist after another until the finale. I knew it’d be a good film all along, but the ending makes me throw in that extra fourth star due to its unpredictability and clever build-up. Satisfaction, and the result is a lot of fine, unpretentious "retro" fun with everyone's favourite Keanu, who is good to watch in just about any role. ()

Malarkey 

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English Throughout this whole time, I had an incredibly good feeling about this movie. The actors played great and Keanu Reeves in the main role of a policeman and a madman with a gun, really nailed it. However, Keanu cut through maybe half of the film crew, so at times it was quite challenging to believe that he is actually such a tough guy, who can scare everyone he meets to earn respect. He did make it in the movie, but not really for me. On the other hand, the movie itself was not boring at all and it worked perfectly. Until the end, where he also chose the best of the whole movie. ()

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