Directed by:
Peyton ReedCinematography:
Russell CarpenterComposer:
Christophe BeckCast:
Paul Rudd, Michael Douglas, Evangeline Lilly, Corey Stoll, Michael Peña, Bobby Cannavale, Judy Greer, John Slattery, Joe Chrest, Wood Harris, T.I. (more)VOD (4)
Plots(1)
The evolution of the Marvel Cinematic Universe introduces the smallest member of the Avengers: Marvel Studios’ Ant-Man. Armed with the amazing ability to shrink in scale but increase in strength, master thief Scott Lang joins forces with his new mentor Dr. Hank Pym to protect the secret behind his spectacular Ant-Man suit from ruthless villains! With humanity’s fate in the balance, Pym and Lang must plan and pull off a daring heist against insurmountable odds. Filled with humour, awesome special effects and thrilling bonus features, this action-packed adventure takes you to new levels of pulse-pounding excitement! (Disney / Buena Vista)
(more)Videos (25)
Reviews (14)
Reed inherited gold from Wright and McKay and transformed it into copper. However, high quality copper in all respects. Even in this traditionally Marvel-like sterilized form, Ant-man will keep you entertained (yes, especially thanks to Peño and Tomáš). And what will disappoint you even more is how he wasted so many possibilities to take full advantage of abilities of the main characters. Because his small adventures, ideas and playfulness are outshone by the six-decade-old The Incredible Shrinking Man or the Hamster in a Nightshirt of Czech TV and what is far the best in this regard is the poster promo campaign "with Avengers"(whether official or fan). And that's not enough.
()
The opening flashback from 1989 was a delight and so were Peg and Pym's acting performances, but the rest of the film was just a targeted rinsing. Unfortunately, only Douglas continued acting and he had no equal partners, so we had to make do with the epic battle with the machine Thomas. But so be it. The MCU continues ever onward.
()
Are you going to believe me when I say it really took me a while to get used to the Ant-Man? At first, I thought the story started pretty quickly. Then I thought that it is really stupid and if not for the actors, I would not watch the whole thing. And towards the finale I was just wondering that the creators clearly must have taken some LSD, because they managed to come up with so many ideas that not all creators can fit into single movie. In the end, I have to admit I was pretty satisfied with this Marvel movie, as along with the premise the creators came up with a lot of original stunts, which made the scenes unforgettable. And even if someone ignored that, because there is a thin line between these feelings, I believe nobody would just ignore Evangeline Lilly with her dark bob. Not only did I not recognize her, but she was also unbelievably hot. And that’s the way it’s supposed to be.
()
Probably the funniest Marvel movie to date. The absolutely incredible Michael Peña steals every scene, even if he’s just passing through. A classic structure of the birth of a hero clad with original ideas and it’s fun. Edgar right obviously played about with the story. The beginning without action is really refreshing and the finale is packed with ideas. Infiltration, the fly trap, the keyring, the fight on the little train. Everyone’s going to go on about Hamster in a Nightshirt (I just love that series), but originality is long since a thing of the past in this branch. Paul Rudd gives a decent performance, no surprises, but plays his part, Douglas enjoys playing Pym and he shows in the intro just what a great choice he was. I’m very happy about Evangeline Lilly and I hope we see her in the future Avengers, there can never be too many good (and attractive) female roles. Corey Stoll stays surprisingly in the background with no surprises up his sleeve. I don’t know how much Peyton Reed remolded Wright’s original vision, but the result is still first-rate family entertainment with a pinch of heist. https://www.youtube.com/watch?v=ggP5YDziMSY
()
It's the same thing over and over again, only with family values coming more to the fore, as well as clearly defined characters and more humour, especially provided by Michael Peña. If there's anything new to talk about here, it's the central character's perks, as the visual antics are carefully staged and the zooming in and out is handled in a brilliant, dynamic, and entertaining way. Sadly, though, Peyton Reed is otherwise pretty much a routine man, because a script this leaky can't be in a movie with any ambition, and that goes for Marvel's save-the-world movies as well.
()
Ads