Speed Racer

  • Germany Speed Racer
Trailer 6
Action / Family / Sports
USA / Germany / Australia, 2008, 135 min

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Born into a family of racing nuts, 18-year-old Speed Racer (Emile Hirsch) is taking the racing world by storm. Racing his father's designed 'Mach 5', a gadget laden speed machine, his combination of fearless talent and sheer aggression has led him to be the talk of the racing fraternity. Fiercely loyal to his family, Speed Racer's main aim is to emulate his late brother Rex's (Scott Porter) achievements, and win the tough cross-country rally, 'The Crucible', in which his brother died. But when he turns down a lucrative offer to drive for rival Royalton Industries, he soon discovers that they fix the outcome of all the major races in the country. Now, with Royalton out to stop him at all costs, he realises he must win every race, including 'The Crucible', if he is to defeat Royalton and save the family business. (Warner Bros. Home Entertainment)

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Reviews (13)

DaViD´82 

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English The first twenty minutes I joyfully wallowed in its ingenuity, stylization and precision that the Wachowskis shower at you both horizontally and vertically. But then the same happens over and over for the rest of the movie. Here and there a wonderful moment occurs, but mostly you just get a chimp gawping out at you from the screen. And I don’t mean the excellent as always Hirsch. In my eyes it gradually devolves into the level of a far too long tripped out paint by numbers book that isn’t shaken out of its over-combined lethargy until the very end. Personally, I was expecting something different and more bizarre. This was, Speedy’s adventures make a traditional infantile family movie about the right values, with a pinch of insight into basic capitalism for the very young. So, certainly baloney, but not much fun. Still I would like to recommend this epileptic’s paradise because you really don’t get the chance to see something like this every day. And, last but not least, for that feeling of speed that the Wachowski siblings (can’t call them brothers, can I?) are so skilled at instilling. P.S.: That monkey in the pajamas has an unpleasantly penetrating gaze. I still have the feeling that somebody’s looking at me. Brr. ()

D.Moore 

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English Despite my aversion to Japanese animated series, despite the silly humor that abounds, despite the heaps of clichés and despite the silly characters of the little brother and his tame chimpanzee... I actually had fun with this. Not groundbreaking or memorable, but thanks to the stunning visuals, imaginative racing scenes and Giacchino's music, it's pretty much sound from start to finish. Three and a bit. ()

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Zíza 

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English So colorful... Oh yeah, this movie just blew me away. It raised the bar. I just loved it ;-) I waited, I went through it, and it paid off. I put it on at the exact moment I needed it the most. At the moment when it could consume me. Maybe if I'd let it in just a moment later or earlier, it wouldn't have gotten full marks. Clever as can be. :-D It's got juice. ()

3DD!3 

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English The audiovisual side of the movie is simply unbelievable. Painstaking racing scenes interspersed with a conflict between a family firm and a megalomaniac corporation represented by the slippery Roger Allam. Emile Hirsch gave a great performance in the role of Speed and I was equally surprised by Matthew Fox as the mysterious Racer X. Playful, sweet and funny (unfortunately sometimes too much so). Great for kids, remarkably digestible for adults. ()

novoten 

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English The races: a perfect spectacle, your eyes are amazed, your adrenaline rises, and you're subconsciously gripping the steering wheel and stepping on the pedal. The dialogue, comic relief, and everything else: disappointment, and often unexpected suffering. The parents make an effort, the brother rolls his eyes, and Trixie, a lovely sexy figure, winks her eyes and helps the main hero. And meanwhile, I'm praying for someone to step on that pedal again. It is truly a very uneven mixture, you climb into Speed's cockpit and you still don't get under his skin for even a bit throughout the two hours. And at that moment, any possible enthusiasm for the film as a whole ends for me. A visual orgy on zero background. This is supposedly how films are supposed to look in the future. I think (and I strongly hope) not. P.S.: Big plus for the mysterious Matthew Fox, who can create a deep character out of anything. ()

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