Directed by:
Clint EastwoodScreenplay:
J. Michael StraczynskiCinematography:
Tom SternComposer:
Clint EastwoodCast:
Angelina Jolie, John Malkovich, Jeffrey Donovan, Michael Kelly, Colm Feore, Jason Butler Harner, Amy Ryan, Geoff Pierson, Denis O'Hare, Frank Wood (more)VOD (4)
Plots(1)
Clint Eastwood directs this thriller based on true events that took place in 1920s California. Angelina Jolie stars as Christine Collins, a mother who thinks her prayers have been answered when her kidnapped nine-year-old son is returned to her. However, she quickly realises that the boy with whom she has been reunited is not in fact her son. She must now face a corrupt police force and a seemingly immovable legal system to continue the fight to find her own son. Slandered by the press as unstable and delusional, she eventually finds an ally in activist Reverend Briegleb (John Malkovich), who helps her take on the authorities and track down her missing son. (Universal Pictures UK)
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Reviews (12)
Clint Eastwood and the most firmly held formula. A story that could be retold in three sentences stretches over two hours, but with such fascinating talent it forces the viewer to immensely enjoy that time. Every emotion feels genuine, Angelina Jolie overcomes her acting limitations, and the period atmosphere attacks all of my senses. If the whole film hadn't been infused with a very credible, unpleasant, and unrelenting hint of inhumanity, it could have been even better.
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Clint Eastwood with fragile piano music is the Danielle Steel of serious topics. But for topics as serious as those addressed in Changeling, and especially for tying them together in some meaningful way, a big heart alone is not enough.
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Clint truly has the golden touch. A brilliant drama that, even with its length, is over before you know it. Angelina acts like her life depended on it, and I think that together with Fox from Wanted, it's the best role of her entire career. Paradoxically, some of the strongest scenes are the ones without her. The events on the farm, both the digging scene and the memories of the other boy, were incredibly chilling.
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An unmissable experience. A packed movie theater (what a miracle, everybody was silent, no rustling, unbelievable...), two girls accompanying me and a movie where Clint masterfully changes genres perhaps more stylishly, more accurately and faster than he could shoot his Colt as a young man. And it doesn’t stoop to emotional blackmail, despite the subject matter crying out for it. This is the sort of movie where you need to take an oxygen canister to. Just in case it knocks the breath out of you. And that could easily happen. But what I would change is my very vague awareness of the story. On the other hand, if I had gone to see it in complete ignorance, I don’t think even the oxygen would have saved me.
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The last part of the film is unnecessarily pompous, here it would apply the famous saying that less is sometimes more.Otherwise, it is a gripping, minimalist and heart-wrenching story, where the otherwise mannequin-like and wannabe cool tough chick Angelina Jolie delivers the best and most heartfelt performance of her career. Clint Eastwood amazes once again with his perfectly thought-out old-school direction, and the production design and cinematography are superb elements in this perfectly harmonious masterpiece. Without a doubt, one of the best films of the year, and perhaps the best in terms of direction.
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