Directed by:
Petr ZelenkaCinematography:
Alexander ŠurkalaComposer:
Jan A.P. KaczmarekCast:
Ivan Trojan, Igor Chmela, Martin Myšička, David Novotný, Radek Holub, Lenka Krobotová, Michaela Badinková, Lucie Žáčková, Marek Matějka, Jan Kolařík (more)Plots(1)
The story of Petr Zelenka’s movie The Karamazovs takes place in contemporary Poland. A group of actors from Prague, led by a play director, arrive in Krakow to present a theatrical adaptation of Dostoyevski’s novel The Brothers Karamazov at an alternative festival organized in the unconventional environment of a steel mill. The theatrical play, the plot of which evolves around a patricide investigation, tells the story of debaucher and cynic Fyodor Karamazov and his four sons. The issues of faith, immortality, and the redemption of man present themselves as the powerful emotions of love, jealousy, and hatred play out on the makeshift stage of the dilapidated mill. Simultaneous with the rehearsal we observe story lines from the real world, of the cast, and of those who still work in this steel mill. Sometimes the effect is comic, but tragedy waits in the wings. A factory maintenance man learns during the rehearsal that his son, who is in the hospital due to an accident at the mill, has died. The rehearsal continues at the man's request. Suddenly the biggest drama does not take place on stage but in the audience… (official distributor synopsis)
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Reviews (7)
So I have to admit that I would quite enjoy this theater. Petr Zelenka was given great actors to work with, which was beautifully reflected in the way they handled the whole film. The very form is the ornament of this film, which is essentially nothing more than a theatrical play in unexpected exteriors of a non-functioning factory. Strong, intimate, and beautiful theatre.
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Zelenka has imprinted a very specific visage on a strong fabric that would tighten "on its own," which straddles the line between pure art and something "other," which is what so many people call for from Czech cinema. I give Zelenka a standing ovation for the way the film managed to get away from theatricality by not letting itself be carried by the (otherwise without exception top-notch) actors, by giving it a distinctive cinematic shape through editing, cinematography, and especially the music. One of the best Czech films in a long time. Bravo!
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This theatrical film has earned the so-called obligatory respect. It was made by the popular Zelenka, it paid tribute to the popular Schorm, it was made with the darlings of the Dejvice theater, and somewhere in the lower layers Dostoyevsky is as learned as a poem. It is therefore impossible not to like it. Simply impossible. No chance in hell.
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A film that Czech cinema needed in the same way a hangman needs a rope. Peculiar, infused with the author's strong vision and with content that is existentially disturbing, dense and well-structured. Zelenka does not detract from his somewhat strange mystifying "humor", but despite a few sketches, the Karamazovs' focus lies in the brilliant blending of Dostoevsky's classic and the human drama of the "real" world. Putting rich dialogues into the rusty and dirty world of steel mills is a wonderful idea, and the contrast between tradition and industry is surprisingly not disruptive, but in fact meaningful. The entire film becomes a theater and the theater depicts the entire world. The reflection and interweaving of "mimesis" and "reality" is captivating. Incredible acting. Zelenka was able to enliven the big theater with film speech, a great camera and perfect musical accompaniment. This created a film on a level that has not been made in the Czech Republic for years (if ever).
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In the non-violent storylines of the actors, both the plot and the characters interested me, but since the ensemble delves into their roles and only occasionally pops up to discuss the unfortunate janitor or the unsympathetic director in a few sentences, everything is wrong. What's the point of delving into Russian classics when it's just superficial? Petr Zelenka wanted to shoot an experiment with his friends, but I would avoid this. The final scene, which is only present so the film has some ending, might even have pissed me off. The second star is more or less just because it would have been a shame not to give credit to the acting performances beyond the limits of what is possible.
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