Directed by:
J.A. BayonaScreenplay:
Sergio G. SánchezCinematography:
Oscar FauraComposer:
Fernando VelázquezCast:
Belén Rueda, Fernando Cayo, Geraldine Chaplin, Mabel Rivera, Edgar Vivar, Roger Príncep, Andrés Gertrúdix, Montserrat Carulla, Óscar CasasVOD (1)
Plots(1)
Many years ago, Laura left the orphanage where she had spent her childhood. Now, thirty years later, she returns with her husband Carlos and her young son Simon, with a dream of restoring and reopening the long-abandoned orphanage as a home for disabled children. But the mysterious surroundings awaken Simon’s imagination and the boy starts to spin a web of fantastic tales and not-so innocent games. As events take a sinister turn, Laura slowly becomes convinced that something long-hidden and terrible is lurking in the old house, something waiting to emerge and inflict appalling damage on her family. (Independent Cinema Office)
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Reviews (9)
A fairly decent dramatic horror film about a woman and dead children who want to play. And they mean it! It's that classic horror format again, with suspenseful and creepy music playing, and suddenly... boo! The setting of the old orphanage and especially the disfigured boy (he was scarier with the mask on than without) added to the gloomy atmosphere here. Belén Rueda and Geraldine Chaplin were good and convincing, and the final denouement was (at least for me) unexpected and quite harsh. In short, another in a line of horror films that stays above average in its execution.
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I rewatched this film years later and I'm disappointed at how little there is in it. Guillermo Del Toro, the ratings in the red numbers and the fact that the film is more or less a cult-classic in the genre beckoned for an exclusive horror experience, but unfortunately I didn't get that at all. Cinematically, The Orphanage is modest and makes do with a couple of actors, one house and a fine tale of the orphanage's dark past, but as a whole it's kind of bland and without much emotion. A weak average, for which I had expectations for a full score, and I was all the more disappointed by the result.
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I’m not a fan of horror films, I watch most of them through my fingers, with the volume very low and all the lights on. I’m such a wuss :) This film doesn’t have guts or similar disgusting stuff, nor does it have an excessive amount of scares, but the horror touch is created by a mysterious, dark atmosphere. And that ending... WOW! It blew my mind and I think it’s one of the best movie ending ever. One of the few horror films I would recommend.
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Something that completely passed me by in Pan's Labyrinth then caught up with me in The Orphanage. The fragile tension between the children's world, intimate family drama, and irrational belief in the world "beyond our world" works brilliantly here, not least because Bayon evokes the atmosphere convincingly, lightly, and with the necessary portion of winking at the "decadence" of this somewhat Victorian story. Sometimes things get out of hand luxuriously (the episode with the grandmother who gets it in the face, the frantic search for the son, accompanied by cuts on a stormy sea - isn't the film Spanish?), but it’s mostly very moderate and clever - the slow camera movement works much better than sharp cuts. I fell in love with The Orphanage, including the ending, which should in fact have been edited down a bit.
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It's a good genre film, without any serious flaws or mistakes, and it’s actually refined to the point where I felt perfect sterility. The family relationships are sketched very broadly, without any intimacy, so I didn't even remotely believe in the protagonist’s obsession with finding her son. Admittedly, it has its good moments, and the point is a pleasant surprise, but the path to it all is too formally transparent. I give it a better three stars.
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