Plots(1)

Due to the machinations of her evil stepfather, Baby Doll (Emily Browning) finds herself trapped in a mental institution, awaiting a lobotomy. Desperate to be free, she escapes into an alternate reality of her own making; a world full of warriors, weapons and weird, wondrous creatures, and where it is her mission to steal five objects in five days while being pursued by an unknown foe. As other inmates from the institution begin to appear in her fantasies, the differences between Baby Doll's two realities become less pronounced. Soon, she and her friends realise that what happens in this alternate world will influence events in the 'real' one. (Warner Bros. Home Entertainment)

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Reviews (16)

POMO 

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English Sucker Punch is a combination of decadent musical and dumb video-game adaptation. It’s built on a storyline set in “reality”, from which it escapes to musical numbers (video-game levels). The storyline, however, does not work and is here only to hold all of the fantasy-action detours together. And these detours, in which the heroines destroy Nazis, ninjas, dragons and orcs from The Lord of the Rings and robots from I, Robot, do not work for more than the first ten minutes, because they are merely a visual exhibition without any innovation. You might find some similarities to Tarantino’s Kill Bill in the way this film’s script is constructed, but Tarantino is “a bit” better screenwriter than Snyder – his storyline was more solid and developed through the individual episodic detours. The detours that make up Sucker Punch are self-serving, meaningless and bring nothing to the story. It is a pulpy mishmash that must have looked like a disaster waiting to happen when it was still only on paper. ()

Marigold 

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English A teenage One Flew Over the Cuckoo's Nest in robotic Ninja underpants. A stupid shooter with a bunch of affected chicks in suspenders, acting as if they are in a cheap American porno, framed by a kind of pseudo-spiritual chatter about the power of man. What really disappoints me is the fact that Zack's visual montages are bombastic, but they completely miss the point – I don't know if it's their non-originality or that they are terrible self-serving, but Sucker Punch seems to me to be a wasteful mess that obscures the complete absence of soul with excess effects. It just confirms that Snyder is an excellent short film maker (although Sucker Punch lags behind the rest of his work in this regard) and that he leads the actors very benevolently – as long as he has solid material in front of the camera, it disappears, but once those revived teenage fantasies ring out, the result is disastrous. One advantage of this nonsense is that Watchmen seems like an even bigger miracle to me. But that's it (I curse myself now that I gave 300 such a low score...). P.S. The unreliable narrator has never been as unreliable as in this film (which takes away all his credit and effect). ()

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3DD!3 

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English Perfect action sequences in a story about girl power that is only held together by the main protagonists’ makeup. Snyder shouldn’t write screenplays. Maybe I’m just getting old, but I won’t put up with this type of video game anymore. Don’t get me wrong, I always used to want to see scenes like where the dragon is chasing the airplane with the medieval battle raging beneath them or where the Nazi cyborgs are fighting in the trenches against a gang of scantily dressed young ladies (and that machine gun really suits Abbie Cornish). But since then, my movie priorities have changed. ()

novoten 

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English It's you... Nazis, zombies, robots, dragons, and samurais versus a group beautiful girls. In other words, six reasons why Sucker Punch could never succeed globally. It has everything you can imagine when you want in a big, opulent, bombastic blockbuster, yet the world couldn't handle such an explosion, because having all those winning strokes in one movie is just too much. Zack Snyder is clearly fulfilling a number of fantasies and despite a few reservations, I have to cheer him on. I could do without the somewhat forced contrast between the makeup-laden fantasies and the depressing reality (the latter of which, ironically, I actually liked more), but in the end, it's because of where the story is headed that the ending almost knocked me off my feet. Not only will I never see such a one-of-a-kind romp this year, I doubt I ever will again. And now, grab a katana and Baby Doll can start dancing. ()

J*A*S*M 

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English I love Zack Snyder in Watchmen and Dawn of the Dead, but I don’t like him in the silly 300. Sucker Punch is much worse than 300, thanks God that I didn’t go to the cinema for it. This is just pointless teenage fantasy that pretends to have a meaning. I’m not able to argue why I think it only pretends so, because this time I couldn’t be bothered to look for it while watching it, and I just don’t want to think about this film any further. Even the action is not that exciting. A fail of biblical proportions. ()

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