Directed by:
Benedek FliegaufScreenplay:
Benedek FliegaufCinematography:
Péter SzatmáriComposer:
Max RichterCast:
Eva Green, Matt Smith, Lesley Manville, Hannah Murray, Natalia Tena, Peter Wight, Tina Engel, Wunmi Mosaku, Ruby O. Fee, Gina Stiebitz, Ella Smith (more)Plots(1)
Rebecca (Eva Green) and Thomas (Matt Smith) had a winning formula. Reunited childhood sweethearts, they overcame every obstacle which stood in their way but now comes their biggest challenge; can they overcome death? When Thomas dies suddenly, Rebecca struggles to live in a world without him. Consumed by desperation she even contemplates the idea of cloning. Can she bring Thomas back once more? Will she be able to live with the consequences if she does? More importantly, will anyone discover her shocking secret? (Arrow Films)
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Reviews (4)
Womb deals with the controversial topic of human cloning and the bond between mother and son, who is much more than her offspring. As far as the premise is concerned, apart from the somewhat flatter ending, I have absolutely nothing to fault. The cinematography is absolutely stunning, especially when the action shifts to the shack on the beach. Plus, everything in the film has an awfully cold feel to it that gives you the chills. Eva Green's performance is very good, but I wasn't so happy with Tommy, but that's just my opinion. In short, a more modest drama that is pulled forward mainly thanks to Green, the themes, the cinematography and the production design.
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The film Womb has an excellent concept. We're in some unspecified future, perhaps present, and a young woman decides to have a clone of her deceased lover grown in her womb. This is a topic that could have sparked a lot because it's moral madness, but unfortunately, very little was extracted from it.
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Very disconcerted impressions. On the one hand, Benedek Flieghauf's visually robust and meditative style, supported by a beautiful camera and an almost Bergmanian timelessness, but on the other hand the need to construct a hypothetical situation and a kind of "über" Freudian paradox in which the symbolic duplication of mother-mistress becomes a biological reality. There may be a fundamental problem in this hypotheticality - although the director admits a fascination with genetic determinism, the only person who could adequately judge this film is a psychoanalyst. It's simply more symbolic than a "hard-core scientific" portrayal of a fantasy about a mother who is not bound by impenetrable taboos. There are a lot of well-constructed situations in Womb, but on the other hand I see a great tension between Fliegauf's "cold observer" method and the commentator involved. It seemed to me that no one on set (understandably) knew what to make of the characters’ story and relationships - it's so extremely complex and speculative that the whole film nested on a very unstable subsoil of a mix of drama, a romantic film and a fairy tale. As a result, the overwhelming sense of focus I felt watching Dealer faded away when I watched this film, and sometimes the impression of brilliantly filmed sexlessness creeps into it.
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Gallery (13)
Photo © Delphi Filmverleih Produktion
![Womb - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/000/369/369946_096f64.jpg)
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