Independence Day

"Comrades, ugly enemy agents have landed in our country from outer space in order to plant potato mandelins in our harvesting pools. Comrades, we're not going to subvert the States! Moreover, we have the victorious July, so get them!" Capitalist realism in full force, as demented as Bolshevik agitations, as spectacularly pathetic. Plus, the characters. A good-humored "nigga," a heroic president-pilot, a drunk with the heart of a Don Cossack...an... intrepid cowboy... Just a case of brilliantly making a stinking ball out of a pathetic fart. A film about nothing with nice effects. The glamour and misery of Hollywood in full swing. It wasn't custom made for the White House??? Edit 2011: I have to admit that (like many Bolshevik agitations) I enjoy this film and fills me with a special pleasure of absolute foolishness. So, in hindsight, I'm giving it an extra star, compared to Battle Los Angeles, it's royal fun, and it doesn't deserve the same rating... (25/01/2004)

It was great science fiction for its time, and perhaps not so surprisingly, it's still great science fiction nearly twenty years later. Emmerich has managed to create a great special effects film that perhaps best portrays the fear of being attacked. Yes, it's very American, but that's obvious from the title, isn't it? Some of the moral talk about unifying the world is a bit grating, but it probably wouldn't be possible without pathos. (20/10/2014)

“I steal, you steal, we steal.” Or how Emmerich and Devlin got together, dumped their brain concoctions into a common cauldron, stirred it properly and prepared an inedible slop. I turned off my brain and just wanted to have fun, but even a lobotomy wouldn't have helped. The massive avalanche of clichés and stupidity swept me away in such a way that I wouldn't want to repeat it. (11/05/2003)

I believe that at the time it was released, it was a fine innovative blockbuster that managed to shock. Today, however, Independence Day doesn't impress at all, because we've seen everything in it a thousand times and better. The acting is average, the visuals were fine for the time, but today they are rather laughable, and the completely formulaic plot doesn't add to its appeal either. Roland Emmerich's sci-fi vision, which he spins over and over again in each of his films, also slowly comes across as his pure egotism and personal ambition to make films "for himself", I guess I can't really explain it any other way. I was thinking that this particular piece is quite famous, well-known and praised, but for me it's just a below average misstep that I'd rather not remember tomorrow. (15/04/2023)

Switch off your brain, make a big bucket of popcorn for yourself, turn the volume up (there’s no point in watching it anywhere else but at either a home or a regular theater) and make yourself believe the misleading phrase “it’s a spoof" and, mainly, take it easy. If you manage to persuade yourself that it really is meant as a spoof then it is an excellent B-grade catastrophe movie with a huge budget and well known, but mostly terrible actors (with one exception of Will Smith, brimming with snappy lines) and it’s decently paced. On top of all that it’s too long and overflowing with American pathos to an extent that can be trumped only by Emmerich himself in his subsequent movies. (22/04/2005)