Cinematography:
Jimmy LindseyCast:
Danny Trejo, Robert De Niro, Jessica Alba, Steven Seagal, Michelle Rodriguez, Jeff Fahey, Cheech Marin, Don Johnson, Shea Whigham, Lindsay Lohan, Daryl Sabara (more)VOD (3)
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A bad-ass, star-studded action-thriller from Robert Rodriguez, Machete is an over-the-top homage to 1970s exploitation movies, starring Danny Trejo as a Mexican Federale seeking revenge against a vicious drug lord (Steven Seagal), a ruthless vigilante (Don Johnson) and a power-mad politician (Robert De Niro). He is helped by a savvy immigration agent (Jessica Alba), revolutionary She (Michelle Rodriguez) and by his brother, a priest (Cheech Marin), and finds solace with a drug addict (Lindsay Lohan) along the way. Viva Machete! (Sony Pictures Home Entertainment)
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Reviews (13)
So, that little grindhouse flick that was shadowed by Stallone’s The Expendables turned out to be something completely outrageous that knows no limits. A perfect dose of trash and self-awareness. Trejo! Seagal! Alba! De Niro! Fahey! Lohan! Rodriguez! Rodriguez! While The Expendables fool around…
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–Cuban? –Mexican. It’s such a shame that Rodriguez didn’t have the balls to shoot the whole of his Mexploitation flick as crudely as he filmed the über-muthafucka prologue... I found that regrettable until the scene with entrails. The film’s superficial refinement only draws attention away from the self-confident (and self-conscious, as evidenced by the involvement of the uncensored internet) contempt for common sense, good taste and every conceivable kind of political correctness. Machete is an exploitation movie for multiplexes, but that doesn’t mean that it would lack machetes, machine guns, boobs, gore, sexy nurses, a murderous nun, a one-eyed avenger, Steven Seagal, Tom Savini and a pissed-off Mexican with a weed whacker. You can either accept this film in all its simplicity and bombast and enjoy the ruthless fun, or look for a more sophisticated view of the world. This time, I’m giving a strong four-start rating and posing a simple question: why always complicate things? 85%
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A crazy barrage of cringe-worthy situations and such clichéd and bad jokes that, in the end, it actually worked and slowly became a cult classic, at least for me. It’s abundantly clear who Robert Rodriguez's spiritual father is, as Tarantino’s unmistakable style is immediately recognizable. The film is teeming with one famous name after another, so everyone gets their moment. Danny Trejo doesn’t say much; instead, his beloved machete speaks for him. Such a plethora of truly original ideas is rarely seen, whether it’s using intestines instead of ropes or mounting a rotating machine gun on a souped-up motorcycle. Like, seriously, this isn’t a normal, everyday thing. The story can be considered absolutely ridiculous, but that’s exactly the point. It’s hard to say what makes this film stand out so much. The very concept of a machete-wielding killer sounds outlandish, but the execution turned it into a brilliant piece. Add to that the beautiful Jessica Alba and Michelle Rodriguez, who balance out the brutal male violence, and you’ve got a perfectly balanced hit. I give it 84%, and I might add more over time. Now I’m gearing up to watch the second installment.
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They should have stuck with the fake trailer. It serves up imaginative action and catchphrases in every other scene, but the whole thing is kind of... sterile. And boring at that. Lost among the geysers of stylishness is a plot that needed to draw us in more and give us more insight into the characters. I know, it’s all about a slightly different genre and intelligence rules, but even when you have one of the ugliest people running around between Hollywood and Mexico in the lead role, you expect the fun to be a little more serious, or conversely, a little crazier. Like Planet Terror.
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A great B-movie exactly in the style that resonates with me. It’s action-packed, gritty, blood-soaked, and with an excellent main character. Great scenes that I can still vividly recall in my mind. It's a bit of a shame that Rodriguez doesn’t occasionally dismiss the digital effects and instead opts for the old-school path of practical effects. It would fit quite well with a B-movie, even though it's a modern B-movie. But otherwise, I had a great time with it.
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