Directed by:
James MangoldScreenplay:
Patrick O'NeillCinematography:
Phedon PapamichaelComposer:
John PowellCast:
Tom Cruise, Cameron Diaz, Peter Sarsgaard, Jordi Mollà, Viola Davis, Paul Dano, Marc Blucas, Maggie Grace, Dale Dye, Celia Weston, Gal Gadot, Brian Tarantina (more)VOD (5)
Plots(1)
Get set for wild action and sizzling chemistry with Knight and Day. Big screen superstars Tom Cruise and Cameron Diaz come together in this thrilling action-adventure. When June meets a mysterious stranger on a routine flight, she thinks she's met the man who’ll add some excitement to her life. But she soon discovers he's a fugitive super-spy, who thrusts her into a globe trotting cat-and-mouse chase. As the bullets and sparks fly, June must decide if she can really trust this Knight in shining armour. (20th Century Fox Home Entertainment)
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Reviews (10)
Cameron Diaz and Tom Cruise. For me, these are two stars that are slowly fading. Cruise saves everything by going back to his roots and it works for him, while Cameron occasionally pleases by showing a bit more of herself when acting is not going so well for her. Recently, I mentioned the movie "Knight and Day", which is very similar to what we see in "Knight and Day". The well-known duo of actors is hunted by agents or other assassins. They have to run away, the plot is a bit upside down, but the action scenes look pretty good. They look even better in "Knight and Day". Plus, some of the jokes work pretty well from time to time. Tom Cruise shows that he is not old at all for action movies and that it is a genre that simply suits him. He is still charismatic, you just believe in that hero of his, just like you would believe that he is actually a real madman. Cameron is properly loud at the beginning, sometimes she is delightfully foolish, and in the end, she doesn't offend even though her face can be quite annoying after a few tens of minutes. However, I originally expected the movie to be much worse. "Knight and Day" and "Salt" in one movie with excellent Cruise and... that's about it. More: http://www.filmovy-denik.cz/2012/06/rockova-lod-cruise-diaz-shawshank.html
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Even on a second viewing, this movie still felt like terrible crap, starring my least favorite actress in the lead role and, I'll admit, I'm not a big fan of Tom Cruise either. Yet, I stuck with my original rating. Why? Well, despite the script being pretty dreadful, the whole silliness of it was oddly entertaining. I switched off all unnecessary brain functions (and trust me, there were many) and just let myself enjoy the simple yet fast-paced plot. Whether I actually liked it or not, one thing's for sure — I wasn't bored. / Lesson learned: When someone tells you you're safe, start running away screaming. 3*-
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These two are absolutely wrong for each other, plus I find her extremely unlikable (but honestly I wasn't paying attention, so I didn't look at her cute little face that much). He's also not high on my list of cute guys. But as a movie where you don't need an IQ higher than 70, it held up beautifully. I had fun, it flew by, it dispensed with the emotional garbage. I'd say the film is a decent representative in its category – I don't want to think too much, I want to be entertained and have a good meal.
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A perfect echo of the 1990s and the definition of a "summer film." The plot is from the ranks of primitive, overdone action scenes and most importantly a functioning central duo. Cruise plays himself, so he’s entertaining in the right way in the light-hearted atmosphere, and Diaz proves that playing a naive whiny blonde is not all that easy. It's too bad that it’s so predictable, or the feeling you get that the film won't surprise you with anything. This is John Powell's best music since The Bourne Ultimatum. 3 ½.
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Wonderful nonsense. As if you would get onto a plane and fly back to the nineties where a car blows up when you shoot it in the gas tank, tough guys are quick with snappy lines and scantily clad blondes wink at you with dry Martinis in their hands. Tom Cruise doesn’t age, looks the same and is doing the same crazy things as he was twenty years ago. Mangold handles the directing pretty well (it has that pleasant old-school feeling that it should), but the too obviously digital effects spoil the overall effect. Sometimes I think that it’s a shame that Greengrass didn’t get his hands on this. And John Powell is a guarantee of good music. A pleasant time-out.
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