Directed by:
David FincherScreenplay:
Aaron SorkinCinematography:
Jeff CronenwethCast:
Jesse Eisenberg, Justin Timberlake, Andrew Garfield, Brenda Song, Rooney Mara, Max Minghella, Armie Hammer, Joseph Mazzello, Melise, Natalina Maggio (more)VOD (3)
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David Fincher’s The Social Network is the stunning tale of a new breed of cultural insurgent: a punk genius who sparked a revolution and changed the face of human interaction for a generation, and perhaps forever. Shot through with emotional brutality and unexpected humor, this superbly crafted film chronicles the formation of Facebook and the battles over ownership that followed upon the website’s unfathomable success. With a complex, incisive screenplay by Aaron Sorkin and a brilliant cast including Jesse Eisenberg, Andrew Garfield and Justin Timberlake, The Social Network bears witness to the birth of an idea that rewove the fabric of society even as it unraveled the friendship of its creators. (Sony Pictures Home Entertainment)
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Reviews (17)
Cherchez la femme. Unlike the “other" Facebook, this is timeless in every way, thanks among other things to the fact that it is not about mugbook as such (that would be a bit premature, after all). It only plays the role of a crutch here, not unlike the role wrestling plays in The Wrestler. I have an irresistible urge to click “Like".
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Jakub Smutný commented on the video of user David Fincher: “Good job, mate.” This comment was shared by 240 users of Rotten Tomatoes. David Fincher joined the group "Waiting for the Oscar." Aaron Sorkin became a fan of the page "AwEsOme StORies." User Lucinka Mišiczka Šmudlinková wrote on the wall of user The Social Network: “I didn’t like it at all, very boring, but it has the actor of Zombieland :-*.” Jakub Smutný joined the group “People against teenagers in cinemas”. David Fincher wrote a message on the wall of user Mark Zuckeberg: "Sry, bro." User Film Fans is friends with David Fincher, Jesse Eisenberg and Justin Timberlake. You and Film Fans have 3 friends in common. Jakub Smutný is attending the event “Other screening.” I like this. Share on Facebook.
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Where other directors test their own limits, David Fincher peacefully paints a picture that defines perfection. The Social Network won’t get to you with details, but with its ability to speak to the audience with such a banal story that could, on a smaller scale of course, be happening at every other university right now. This is Fincher’s most modest film in terms of form, but his densest in terms of content, and its most powerful moment is a shot of the protagonist, who has gained and lost everything at the same time. It’s a conversation movie, portraying relationships in university dorms, that doesn’t celebrate the American dream of the new millennium but shows the price that one has to pay for it. Without any sentiment or defense of positive values – what we see here is rather the absence of those. The reason that Fincher conceived the race on water the way he did is because any other filmmaker in his place wouldn’t even have thought of it. The film is a commercial move on the studio’s part (a low budget plus Facebook’s popularity equals certain profit), but thanks to the filmmaking quality, it’s also an exemplary character study, valuable as a record of the period and the people living in it, which makes it the biggest cultural and film event since United 93. The Social Network is the most deserving candidate for the (nonexistent) Academy Award for the best independent film (like Juno, Sideways, etc.) to come along in many years.
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A masterpiece that matures with each viewing. Brilliantly directed, inventively scored by Reznor, perfectly edited, with flawless casting. First of all – unknown to me until now – Andrew Garfield impressed me with his masterful performance (great hope for the next Spider-Man), but the slightly autistic talented asocial Jesse Eisenberg is not far behind him, I believe that in both cases Oscar nominations at least are certain. Every era had a significant film that characterised it, went to the heart of its essence and became timeless, and Fincher's work, in these times of the information technology boom and the fearless entrepreneurship of the young generation, is such a film.
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Sorkin's dialogs — perfected to the smallest detail, heady visuals, and Fincher's flawless directing make this “movie about facebook" one of the experiences of the year. All the characters are thoroughly dissected and the actors pour out their best. Eisenberg managed to slip into a nerd's shoes perfectly, and is more than convincing in his portrayal of Zuckerberg. Garfield wasn’t at all dazzling (I still don't understand why he's gonna be the next Spidey), but he came across as the most likable player in this squad. In any case, nothing can be said against him. But, I was very impressed by the duo of rowing twin brothers; Armie Hammer was very convincing in both roles. And the details, the details: the camerawork in the club scene, the lost race with an electronic version of In the Hall of The Mountain King roaring away, and so on. Speaking of the music - superbly done work. Very Ghost V. Drop the "the". Just ‘Facebook.' It's cleaner.
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Gallery (76)
Photo © Columbia Pictures
![The Social Network - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/160/653/160653369_b28fcd.jpg)
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