Directed by:
Rodrigo CortésScreenplay:
Chris SparlingCinematography:
Eduard GrauComposer:
Víctor ReyesCast:
Ryan Reynolds, Stephen Tobolowsky, Samantha Mathis, Ivana Miño, Erik Palladino, José Luis García Pérez, Anne Lockhart, Tess Harper, Kali Rocha (more)VOD (4)
Plots(1)
170,000 SQ miles of desert. 90 minutes of Oxygen. No way out. Paul Conroy (Ryan Reynolds) is a fairly average, American truck driver, he works as a contractor in Iraq and leads a fairly average life, he doesn't know what's about to hit him! While working his usual deliveries he is taken hostage, knocked unconscious and awakens in a deep, dark coffin! He soon realises he is in real trouble. With little oxygen, a lighter and a mobile phone to help him, he tries whatever he can to escape his terrifying tomb. Paul contacts everyone he knows that could possibly help him, but to no avail; he could be buried anywhere in an enormous Iraqi desert. Paul realises that only one man can help him out of this impossible situation; himself! He'd better do it fast! (Icon Home Entertainment)
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Reviews (11)
Logic takes a beating in a much harsher way than I'm used to in the thriller genre, and everything relies solely on Ryan Reynolds. He delivers a performance as likable as usual, but unfortunately he doesn't have, nor could he have, the ability to carry the whole film on the surface of a single coffin, even with enough oxygen and signal. The salvation of this good but poorly executed concept is the ending, which, despite my slight apathy towards the protagonist's actions, stretched me to the brink of breaking.
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The male breed must be in deep trouble if even someone like Ryan Reynolds who can boast the title of Most Attractive Man in the World 2010 isn’t able to deal with a situation that members of the gentler sex can get out of blindfold (Uma) and (Noomi). And although overall he does this in an entertaining and appealing way, I can’t help feeling that this movie could have been a little shorter.
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Really suspenseful, almost worth a heart attack at the end. God. While I would have voted for the film to be set anywhere other than Iraq, the location was ultimately the last thing I was interested in. The theme of the living funeral has been interesting for both readers and viewers since E. A. Poe and director Cortés handled it brilliantly. The atmosphere is dense, unpredictable things happen, and the main character's phone calls from trying to find anyone to help him in one of the final scenes are more chilling than the underground stay itself. Ryan Reynolds gave a great performance and I praise Victor Reyes' honestly over the top music.
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Yeah, Buried is a very interesting film that takes place in one coffin with one man, one lighter, one mobile phone, one pen… but to tell you the truth, all that minimalism ends up being almost too limiting. I would have liked to have a look somewhere out of that box, which is proof that the creators didn’t fully manage to turn an attractive premise into a feature film. Buried is certainly worth watching, it’s one of the best thrillers of the year, but it didn’t make me bite my nails or get up from my chair in tension, and the logic leaves the stage too often for my taste. 70 %
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I can't say I was bored, but some of the script choices really spoiled the overall impression for me, like the snake and the frustratingly inept people on the phone. The same premise was handled much better in the two-part episode "Grave Danger" from CSI: Crime Scene Investigation, directed by Quentin Tarantino. However, I do give a thumbs up for the intense and surprising ending. Overall, though, it felt like a bit of a missed opportunity for such an interesting concept.
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Gallery (41)
Photo © Lionsgate
![Buried - Photos](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/160/648/160648631_334f1b.jpg)
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