Directed by:
John Erick DowdleScreenplay:
Brian NelsonCinematography:
Tak FujimotoComposer:
Fernando VelázquezCast:
Chris Messina, Logan Marshall-Green, Jenny O'Hara, Bojana Novakovic, Bokeem Woodbine, Geoffrey Arend, Jacob Vargas, Matt Craven, Caroline Dhavernas (more)VOD (4)
Plots(1)
Five seemingly ordinary people become trapped in a skyscraper elevator. Each has a dirty secret, a tainted past. All seems well until the lights go out... and the screaming begins. With no way to escape, the horrific truth dawns that one of them is the Devil... and only then do they realise that very bad things happen for very good reasons. (Universal Pictures UK)
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Reviews (10)
It takes seventy minutes carefully building a disconcerting atmosphere, relationships and tension between characters, only for all this to fizzle out, instead of reaching a climax and hitting hard with a message. Too bad, because it’s the ending/punchline of these genre snacks that separates the wheat from the chaff; leaving just the bold deeds of those who we can remember. ()
Devil is a horror B-movie with cheap actors and numerous lapses in logic. But the technical aspect is professional, with great opening credits, a solid atmosphere and a more or less functional point. Had it not been for better older horror B-movies like Cube and Saw that got to me and prompted me to give them “only” four stars, I might have gone with four stars even in the case of Devil. ()
Devil certainly does not lack a dark and mysterious atmosphere, which grows thicker and thicker throughout the film. On the other hand, however, I felt that much more could have been made of it. It could (or should) have been more gripping and intricate - then I might have considered a higher rating. I thought the five were well chosen and the misfits complemented each other well. All in all, a pretty good horror thriller that is shrouded in some mystery, but it's nothing memorable. ()
Precise direction and a really fast script with lots of ideas and flashy stunts that elevate this horror B-movie above many of its clichéd ghostly brethren. The atmosphere is not very chilling, but it’s enough to keep your attention, and the actors are decent and convincing to the extent of their possibilities. And the final twist, which I was increasingly curious about as time went on and I found out more and more, was delivered quite sensibly and did not disrupt the carefully constructed story based on one simple central idea, which, by the way, was so well delivered that it provided me with an (un)enjoyable and unrelenting spectacle. ()
The classic problem of Satanic horror films (why does the lord of all evil give such a shit?) is of course present. Fortunately, it's made up for by fairly decent direction and very good cinematography. Plus, with this film, I realized after Cloverfield that the MPAA is becoming more tolerant of violence. ()
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Photo © Universal Pictures
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