Directed by:
Joe WrightScreenplay:
David FarrCinematography:
Alwin H. KuchlerCast:
Saoirse Ronan, Eric Bana, Cate Blanchett, Olivia Williams, Michelle Dockery, Tom Hollander, Cyron Melville, Jessica Barden, Álvaro Cervantes, Jason Flemyng (more)VOD (5)
Plots(1)
Raised by her father (Eric Bana), an ex-CIA man, in the wilds of Finland, Hanna’s upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity. (Universal Pictures UK)
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Reviews (12)
As a fan of Joe Wright, a huge weight has been lifted from my heart. After the surprisingly average Atonement, he finally proves that he doesn't have to have British history on his side and that he can also bring a "made-to-order" script to the screen with elegance and powerful impact. Hanna can be cold and distant like the Finnish wilderness, but within seconds can switch and suddenly become completely personal and filled with tension. When combined with the teenage perfectionist Saoirse Ronan and the rhythm of the Chemical Brothers soundtrack, he creates an experience that is hard to replicate.
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An art-action film about a hit girl searching for her own female identity. I'll probably never understand how someone could push a script like this past the studio bosses, but I won't hide the fact that I loved it. There probably won't be many conquerors of this film in the "weird" box this year. In any case, it's clear that one box is very small for Wright. The chemical music is great, and Saoirse is an excellent actress, but Cate should ditch the negative roles. The Soviet agent has been replaced by an American, the black hairstyle by a red one, but the tragedy is the same. 4 ½.
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Insane. Fans of the American grand style and posing can watch Bourne or Mission Impossible 3. They are similarly “kinetic” films, but they are clear, linear, and much easier to grasp. Hanna’s problem is that it is sometimes on the verge of a paranoid thriller, which often turns into a hard-hitting action film interspersed with sci-fi elements. It has a British feeling, which I don't really like deep down.
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This action B-movie/Grimm fairytale cross about a girl assassin in the hands of Joe Wright turns into a visual gem. His direction is perfect and when I say perfect, I mean precise in all ways. In places he raises Hanna into an art form. Such a pleasure to watch. The story suffers from imbalance. The sequence with the “normal" family should have ended up packed in a container at the port together with a couple of other things. Saoirse Ronan’s acting is flawless, as always. Eric Bana as her slugger dad manages to show his best moves even in the little room he get (the one-shot scene after getting of the bus is genius). I hated that whistling bad guy from the moment that he began to whistle that revolting melody, and Cate Blanchett didn’t do anything special in this movie. The action scenes were a joy to watch. Adapt or die.
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An interesting way to create a film. I had the feeling that someone had come up with a very smart story, sent it via “Chinese whispers” through several morons and then they filmed the result. The border between genius and idiocy can be very thin sometimes and this film steps on both sides of it throughout. It is superbly made, but all too often I shook my head at the stupid things happening on screen (and yet it would be enough to correct the script a little). By the end I laughed out loud several times. Also, the way the final chase with the two female protagonists is put together is nonsense and confusing. PS: Mild thumbs up only for Blanchett’s character – that’s how a charismatic villain should look like. 5/10
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