Directed by:
Cary Joji FukunagaScreenplay:
Moira BuffiniCinematography:
Adriano GoldmanComposer:
Dario MarianelliCast:
Mia Wasikowska, Michael Fassbender, Judi Dench, Jamie Bell, Su Elliot, Holliday Grainger, Tamzin Merchant, Amelia Clarkson, Craig Roberts, Sally Hawkins (more)VOD (4)
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In the 19th Century-set story, Jane Eyre (Mia Wasikowska) suddenly flees Thornfield Hall, the vast and isolated estate where she works as a governess for Adèle Varens, a child under the custody of Thornfield’s brooding master, Edward Rochester (Michael Fassbender). The imposing residence - and Rochester’s own imposing nature - have sorely tested her resilience. With nowhere else to go, she is extended a helping hand by clergyman St. John Rivers (Jamie Bell) and his family. As she recuperates in the Rivers’ Moor House and looks back upon the tumultuous events that led to her escape, Jane wonders if the past is ever truly past. (Universal Pictures UK)
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Reviews (12)
An exquisite Victorian romance, perfectly in tune with the current formal and aesthetic trends of modern filmmaking. Raw cinematography, zero pathos and spare dialogue passages, where everything is focused on editing, the actors' facial expressions and overwhelmingly unspoken emotions. Very modern yet period-accurate and full of the traditional values we love so much in these tales of fate from yesteryear. You'd almost want to say that these cinematic affairs were left in the dust somewhere in the late nineties, but thankfully that's not true, they're still around today, they're just far fewer and of a good quality.
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I knew the story, and I sort of knew what to expect from it. I'd actually seen the 1996 film, which I thought was only slightly worse than this one. After all, this one had a bigger cast, a bigger budget, and I dare say a better story setup that would make you watch the movie even if you had no idea what it's about. And yet in truth, the sequence of events was fast-paced, with no concept of time and for no chance to capture a meaningful feeling. Fortunately, this was occasionally helped by the music, so then again the lack of feeling wasn’t too bad. Mr. Rochester and Jane had an interesting rapport, you could enjoy them. But even so, the film was perhaps a bit drawn out (St. Someone, getting the siblings, etc.) and cluttered. I’m giving it those four stars for the fact that it left a feeling in me, even though I don’t know how. When the credits started running across the screen, I knew it definitely hadn’t been a waste of time to see this old Victorian romance story again. Still, I can't help but like her sister Emily and her Wuthering Heights much better. A weak 4 stars and "my, their English...!".
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Old-fashioned English romantic dramas aren’t the kind of genre that I would go after, but the good reviews drew me to the cinema (it’s not that there are that many good films this summer to let this one pass :-D), and I don’t regret it. It’s a brilliantly made film that managed to hold my attention. Rather than romantic, as in romance, I felt it was more romantic as in romanticism, because the romance itself doesn’t work so well, but the gloomy atmosphere of the English countryside was wonderful. Fukunaga could have a go at horror for his next film, when it comes to scares, he managed some interesting things in those scenes.
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Jane Eyre is a timeless classic from the pen of one of the most famous female writers of her time, which comes to life once again in an extraordinarily impressive film adaptation. An orphan, who has been pushed from one evil to another since he was a young child, grows up to become a young and intelligent woman who will not be intimidated even by the seemingly terrifying owner of a vast estate that is surrounded by more than one mystery. The cast deserves kudos all the way down to the floor. Mia Wasikowska gives her most convincing performance to date, Michael Fassbender is increasingly winning my sympathy with his chameleon-like acting, and casting Judi Dench and Jamie Bell in supporting roles was the right decision and I give them both a thumbs up. The setting of England has always appealed to me in many ways and in this film everything is perfectly captured thanks to the great production design and cinematography. And the music, which is only slight, subtly adds to the already chilling atmosphere of the film, but paradoxically warms the heart. In short, a film that delivered exactly what I expected and then some, which for me, as a viewer, is the most important thing.
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Extreme romanticism via an atmosphere à la Gothic horror. Simply gestures instead of speeches. Courting by the fireplace through verbal exchanges that make Nadal versus Federer a boring watch. It’s hopes of being movie theatre experience of the year are dashed by the emotionally chilly ending where gestures gave way to speeches and other maladies very familiar in most adaptations of the classics of Romanticism.
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