Directed by:
Justin LinScreenplay:
Chris MorganCinematography:
Stephen F. WindonComposer:
Brian TylerCast:
Vin Diesel, Paul Walker, Jordana Brewster, Dwayne Johnson, Tyrese Gibson, Elsa Pataky, Gal Gadot, Ludacris, TJ Hassan, Joaquim de Almeida, Matt Schulze (more)VOD (5)
Plots(1)
Freed from jail by an unlikely ally - former cop Brian O'Conner (Paul Walker) - ex-con Dominic Toretto (Vin Diesel) and his sister Mia (Jordana Brewster) are forced to enlist Brian's help once again as they find themselves cornered by a ruthless drugs gang in Rio de Janeiro. But the Rio gangsters are not the only ones on Dominic's tail; wily federal agent Luke Hobbs (Dwayne Johnson) has also been assigned to track down Dominic and Brian, and will stop at nothing to catch his prey. (Universal Pictures UK)
(more)Videos (20)
Reviews (15)
I sincerely doubt that the screenplay contains other words than onomatopoeias, but this just makes it more powerful the way all the “boom, crack, screech, ratatatat, splosh etc." could be reformed into such intense and easy to follow action in the movie which is a lot (really a lot!) more similar to classic heist movies with cars (the original The Italian Job) and big budget, no holds barred action movies like Bad Guys II than to earlier parts that, if you were being kind, were barely average, tuned up CGI trash for teens. And the action is unusually varied, from testosterone-charged hand to hand combat, through various mass shootouts in the favelas, to demolition derby involving half of all cars in Rio.
()
The first film of the franchise that I watch, attracted by the very good reviews. What I got was precisely what I expected: very well made silliness. Some of the one-liners are funny, some are ridiculous. The action is pretty brutal, you can really feel the style and the energy, even if (especially by the end) it felt a little physically fairytale-like. It’s a watchable film and one of the best in the “summer action nonsense” category.
()
The series is transforming from a tuning exhibition for teenagers to full-blooded action blockbusters, where the roar of engines is drowned out by fusillades from machine guns and shotguns. Fast Five offers a well-coordinated team of partners in crime, the wild jungle of Rio de Janeiro and a surprisingly elaborate and ambitious script that overshadowed Bay’s Bad Boys II (which is thematically similar in many ways and met with mixed reviews). The movie’s creators hit the bull’s-eye by casting The Rock, who boosted the film to the testosterone maximum. In a single 130-minute film, there are no fewer than three bands of tough guys equipped with great cars and big guns fighting one another. What more can we wish for in this genre?
()
A contented smile spread across my face while I was watching the safe ripping up the asphalt from the streets of Rio. The screenplay is about as clever as for the preceding F&Fs, but they are all such nice guys and, as a fan of this genre, my jaw is constantly lying in my lap. In part five, it’s not so much cars, but muscles that are important. Diesel put on weight to make his fight with Dwayne “Rock" Johnson convincing, but The Rock (otherwise his Hobbs is tougher than a piece of flint and so he’s maybe unwittingly funnier than he is meant to be) seems to have gotten so psyched up that he looks even more massive than normal (damn, another reason to start going to the gym, but I wonder how long my eagerness will last). And the fight looks all the better for it, step aside Terminators. The cars and the girls (Jordana Brewster gets hotter with every episode) are delightful as always and the preparation for the heist with the now traditional T-shirt at the end is the icing on the cake. A shame that sometimes the “snappy" lines sound awkward, although Diesel delivers them in style, so you only notice this in the supporting roles. The biggest capo who saves the movie is the director, Justin Lin, who knows exactly what he’s doing and what the audience expects from this kind of movie. The post-credits scene made me look forward to number six even more. Bring it on. That's for my team, you son of a bitch.
()
Hands down, the best episode of the series. Unfortunately, the overwrought pivotal action scene at the end, with a half demolished Rio and a massive vault behind two bulldozers, was too far beyond the edge of acceptability for my taste. And when they open their mouths in the non-action passages and the characters spout life's truths and wisdoms, even Mrs. Cliché and Stupidity run to hide behind the camera in terror, it was really hard to listen to. Thanks at least for Dwayne's character of Agent Hobbs, because you can never have enough of The Rock and his fist fight with Diesel, when the surrounding walls were collapsing like styrofoam backdrops, brought me out of my lethargy.
()
Ads