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Based on a true story, Killer Elite races across the globe from Australia to Paris, London and the Middle East in the action-packed account of an ex-special ops agent (Jason Statham) who is lured out of retirement to rescue his mentor (Robert De Niro). To make the rescue, he must complete a near-impossible mission of killing three tough-as-nails assassins with a cunning leader (Clive Owen). (Entertainment in Video)

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Kaka 

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English Appearances are deceitful, Killer Elite is indeed pleasantly old-school (raw image, 80s), but it is not nearly as dynamic as I would have expected from Statham, nor is it as kinetic in terms of action as I would have wished for (the main fight between Owen and Statham is boring, only the editing is good, it lacks physicality, the punches don't hurt), there is a lack of blood, a lack of toughness and naturalism. The polished image and filters are not enough. De Niro is okay, it's a shame he has little screen time. The lady with the horses is quite irritating, I don't understand how she was taken so seriously. Similarly, some of visual effects (bullet in the hair like in Drive, etc.), borrowed from elsewhere, are just unfortunate. Hardly average. ()

Isherwood 

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English Compared to the trailers, it's quite a decent bit of entertainment, which is surprisingly brought down by not being as dumb as it originally looked. However, the grafting of a tangled plot, with political intrigue in the background, onto a through-and-through B-movie concept, brings down the impressions quite dramatically, although in each position separately the film is quite decent. Statham's physical abilities have once again found proper use for once, and De Niro is finally in a role that suits him after a hell of a long time. In the end, we are left with a decent silly film that doesn't completely offend but also leaves us with a slightly awkward impression from the two-hour runtime. ()

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Malarkey 

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English In the movie, there is quite a solid lineup of action actors, among whom Robert De Niro is the most prominent. Jason Statham is trying the same stunts again. In addition, the story is not one of those groundbreaking ones. On the other hand, action is not lacking and the three stars handle the film very easily. It was fine, but I would easily shorten it to about 80 minutes, which would be full of action and not 116 minutes, during which some boring stuff was also partly addressed. ()

D.Moore 

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English You say there's no afterlife? John Frankenheimer may have died ten years ago, but in 2011 we got Killer Elite, a film that is Frankenheimerian in every way. I don't know if Gary McKendry summoned his ghost to help him, or if Frankenheimer reincarnated himself into him (only future films will tell), but it doesn't really matter. The main thing is that the action is there, and that it is realistic, gritty, non-digital, and non-slow-motion. For example, I haven't seen such a nice fight as Statham and Owen's hospital scene in a long time, and when I add to that the fact that it was preceded and followed by a number of other treats (the chase in Oman, the London car chase, all the scenes with the elimination of the SAS members, Statham chained to a chair, the perfect finale), the likes of which have not been seen here (except perhaps in Craig's Bond films) for a very long time. I can't be dissatisfied with this. The central acting trio was a delight and I was especially happy that Robert De Niro didn't just get some cheap shtick, but a pretty big role. The only shame was the script, which could have forgiven the storyline with Statham's girlfriend and not tried to be so serious and subtle ()

POMO 

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English Thanks to the storyline additions in the second half, this movie seems longer than it actually is. But thanks to the greater presence of Clive Owen’s character, the second half is better than the uninteresting and boring first half. Without Owen, who is a worthy adversary for Jason Statham, the movie stagnates at first. De Niro’s presence is just for show. Using a blonde in strange rubber boots in an attempt to humanize Statham’s character slows the movie down unnecessarily. The action scenes are nothing out of the ordinary. The old-school atmosphere is fine; Gary McKendry is clearly a fan of John Frankenheimer. ()

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