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Hitman Jimmy Conlon (Liam Neeson) has no choice but to shoot and kill the son of his former boss and friend Sean Maguire (Ed Harris) when his own son Michael (Joel Kinnaman) is targeted by the mob. Now the ruthless Maguire seeks revenge and will stop at nothing to get it, meaning Jimmy must do all he can to protect his son and his family from corrupt police officers and contract killers. Will he succeed? (Warner Bros. Home Entertainment)

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Reviews (8)

Kaka 

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English It might gradually becomes its own subgenre, one with very few memorable pieces, Run All Night among them. It doesn't have a chance against Taken. It lacks action, pace, drive and the editing in fight sequences leaves much to be desired. Even the slower, but much more deliberate and atmospheric Walking Among Tombstones was better than this quickie, from which you may feel the New York feeling of small streets and mob pubs, but the reminiscences of the 1990s are quite flawed. The strong cast do their job, but it’s not above average. When the best dialogue passages in an action movie are from the two main stars, and it's not necessarily Heat, it's quite possible something is off, as is the case here. ()

EvilPhoEniX 

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English Standard four-star Liam Neeson flick, but I can't help being slightly disappointed. With an attractive plot, the film had the makings of the action movie of the year, but it didn't happen. What didn't really impress me here was Ed Harris, a poor choice of villain (no intense, threatening or intelligent dialogue came out of his mouth and he's too old to fight, something Jaume Collet-Serra deprived us of). I even missed an intelligent detective here (too bad Forest Whitaker wasn't in this instead of Taken 3). The serving of action comes more or less after 45 minutes and has a lot to offer. Some interesting fights finally in decent editing and without shaky camerawork, decent shootouts, chases, the occasional nice head shot (not overly brutal though) and an excellent atmospheric scene in a tenement building, which was the biggest highlight of the film, definitely spiced up by the assassin Common. The old-school shotgun finale doesn't disappoint either. Good, but could have done with a bit more. 75% ()

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3DD!3 

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English This quality dramatic family background story is spiced up with decent action and the Collet-Serra-Neeson trilogy has a very impressive finale. Bad luck and coincidence play the leading role, together with a boozy Santa suffering from remorse. The fantastic Ed Harris’s pep talks with Liam Neeson commands respect and his view on things makes sense. By coincidence, the evil Gravedigger is also the main protagonist who leaves piles of dead bodies lying in pools of blood, this time for justifiable (but selfish) reasons. Kinnaman Jr. is really fine, thinks for himself and doesn’t become too annoying during the story (which is important). A perfect action movie that I would gladly watch again. ()

Malarkey 

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English Liam Neeson and Jaume Collet-Serra are a safe bet for me for the third time already. I was so sure the film was good, I couldn’t miss it in the cinema. Even though the ticket was pricy. Someone could feel weird about the fact that this rather gloomy dark crime movie has a bit too many special effects. I would survive without them too. On the other hand, it was those effects that made it so gloomy and dark. Liam Neeson does not start in the best position, but the director gradually pulled me into the quite straightforward story, which closes the circle of one mafia gang in the cruelest way. However, Liam Neeson, Ed Harris and Joel Kinnaman gave it such an amazing charisma that I devoured the movie. And I don’t mind at all that Liam keeps portraying the same character for years. I started to call his movies ‘Neesons’ for this very reason. I hope this is not his last movie. ()

Isherwood 

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English Neeson's already in his standard box, and Serra has definitely parked himself in the position of a decent thriller craftsman. The result is improved a lot by the remaining ensemble cast, and in turn, dragged down by the fact that most of the dialogue speeches in the second half are merely empty and stretch the film to an unsympathetic length. ()

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