Directed by:
Tim BurtonCinematography:
Bruno DelbonnelComposer:
Danny ElfmanCast:
Christoph Waltz, Amy Adams, Terence Stamp, Danny Huston, Elisabetta Fantone, Leela Savasta, Jon Polito, Pomaika'i Brown, Madeleine Arthur (more)VOD (3)
Plots(1)
The film follows the story of American artist Margaret Keane (Amy Adams), who, in the 1960s, allowed her husband Walter (Christoph Waltz) to claim credit for her artwork, believing that a female artist could not find success through painting. The Keanes acquired huge amounts of wealth through Margaret's work and the paintings were in high demand throughout their time living together as husband and wife. However, when they later became separated, Margaret announced to the world that she was in fact the true author of the paintings, sparking a long-drawn-out legal battle between her and her estranged husband. (Entertainment in Video)
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Reviews (4)
I'm not sure if I should be glad that Burton chose an interesting topic that suited him, but at the same time, he suppressed himself and let someone else's art shine, asserting himself only in the visuals of the 50s and subsequently the 60s. Overall, visually, it's weak for Burton, whereas story-wise, it's inherently intriguing and impeccably acted.
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This film about an opportunistic bastard and a shy painter managed to entertain me even on a second viewing. I have no clue how much of the plot aligns with real events, and frankly, I don't care. What the creators presented didn't disappoint me in the slightest. Christoph Waltz truly stole the show, overshadowing Amy Adams. One aspect I appreciated was how I could easily grasp the meaning behind each painting. I'm not much of an art connoisseur, so Margaret's horror characters resonated with me more than the complexities of cubism or modern art. When it comes to visual art, I'm a simple person, and this movie hit the mark for me. If the story wasn't purely fictional, it was interesting to see Jehovah's Witnesses actually causing something good. I wonder how much it cost Margaret.
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When I found out that Tim Burton was going to join forces with Christoph Waltz and that two songs by my favourite Lana Del Rey were to be featured on the soundtrack, I couldn't wait. In the end, however, I am not happy with Big Eyes. The story wasn't bad, and neither were the performances, but I found it kind of bland, and it definitely could have had more of a bang. Maybe I was expecting too much, and the final product left a mediocre impression on me. One of many biopics that unfortunately doesn't stand out from other films like it, which is a shame considering the director's name, the cast and the premise.
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An excellent movie, the only flaw of which is that it is not a typical Tim Burton film full of nihilism and attractions. And none of his notorious actors are cast here - Johnny Depp, Helena Bonham Carter, or Eva Green. In the eyes of some, Burton filmed a heretical civilian film against his trademark (although he at least kept Danny Elfman). The masses did not forgive him for this - we can see it in the weak response. But bold viewers who do not like boxes get to see an interesting biography of Margaret Keane (1927-2022) and Walter Keane (1915-2000) and the acting performances of Amy Adams and Christoph Waltz. It is a story of awakened emancipation in art from the late 50s and 60s, making it an incredible spectacle into the world of men, (un)fulfilled ambitions, kitsch, and hypocrisy in modern art. Neither of the spouses won over my heart because both had their flaws, but that also made it more audience-friendly.
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