Avatar: The Way of Water

I felt a bit as if I was watching the second episode of a series. The beginning feels somewhat rushed and hurried, and the human dimension disappears from the whole Water Journey, as all the important protagonists are already blue (and they call humans Ape). Everyone is family with everyone, and humans are a threat symbolized only by technology destroying Pandora's natural resources. Cameron keeps the pace and narrates with clarity, but the characters often behave illogically, which I rationalised by the fact that they are aliens and when they are not they are assholes. The digressions into nowhere stretch out the runtime, and while it's clear that is Kira script-armoured to support future episodes, it takes away from the main point, which is fooling around with the Pandora equivalent of Willy and diving and exploring the water world and stuff. Each Sully kid has a story to tell at the expense of Sully and Mrs. Sully. Ironically the most interesting character is the Colonel exploring new physical possibilities. There are some scenes that are breathtaking, like crushing one's own skull, the spearmen, even making friends with a whale, but overall it's terribly long and I see more naive nerds than cunning heroes in the leads. Let's hope they wise up and that it will be back to a full rating in the third one. P.S: Horner is very much missed, RIP. There’s no nice new musical theme, just a variation of the old one. (20/12/2022)

The technical execution is of course perfect, if not more, but I think the first film had a better story because the ecological message suits Avatar a bit better than family values. It's possible that it will work the second time around, because I had a similar experience with the first film, but now it really took me a while to get my bearings on the new characters after the initial rushed "It Happened", and before I accepted, for example, the somewhat B-movie way in which the villain Quaritch and co. return. It’s a shame. Still, Avatar: The Way of Water is definitely a proper big movie that deserves to be seen in the cinema. “Only” that it isn’t perfect. (16/12/2022)

From the developmental branch heading toward cinematic heights in 2009, another has now grown upward. Respect to Cameron for grafting it this way and still managing to reminisce about the fruits of his previous work. But personally, I’d rather sit on a more grounded branch and be content. As for the plot, you need to disconnect your brain from Earth and connect it to Eywa; otherwise, it's better left uncommented. Actually, I do have one comment: given the kind of group of Pissed-Off Mothers that stood against Quaritch and company, the blue Semper Fi came out of it relatively well. (29/12/2022)

The power of the family bond, the harmony between man and nature, the destruction of ecosystems for the purpose of monetisation. Cameron sends some important messages and quite clear appeals out into the world with Avatar 2, and he succeeds again, of course, and not only that. The new blues represent the visual benchmark of the modern blockbuster, and Cameron once again throws down the gauntlet to other filmmakers, blowing them out of the water for the umpteenth time in his spectacular King of the World career. Compared to the first one, the sequel is a technical evolution. It tweaks little details, upgrades the story setting, adds more imaginary "levels" and works with Stephen Lang's character in an interesting way. The second third is quite slow and the least entertaining, but the lavish and spectacular finale, like in the first, makes up for it. Apart from the technical aspects, there's nothing really groundbreaking or unique, but Cameron, as a lover of the planet, animals and especially the underwater depths, is passionate about his dream project and you can feel that he loves what he's doing and gives it his all, and that can't be said of every hitmaker in Hollywood. (10/02/2023)

I tried to resist, but eventually, I gave in and watched the second Avatar movie. I had to break it into three sittings because of its length. As expected, it's visually stunning — leagues ahead of anything else in the film industry right now and probably for years to come. However, the visuals overshadow everything else. The acting feels almost nonexistent since it's essentially an animated film. Plus, it’s only truly impressive in a theater setting. Story-wise, the first hour is a slog, but things pick up once James introduces us to a new tribe on Pandora, adding some interest to the typical blockbuster narrative. If it weren't so long, I'd have fonder memories of it. Honestly, if James keeps churning out similar tales from Pandora, he might just end up boring the audience. We'll see. (30/09/2023)