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The real-life superheroes return in this action comedy sequel based on the Marvel comic strip. With the end of college in sight, and unclear about his future, Dave aka Kick-Ass (Aaron Johnson) decides to create a superhero team with the help of Mindy aka Hit Girl (Chloe Moretz). When Mindy is subsequently forced to hang up her costume, however, Dave sees no other option than to team up with the vigilante members of 'Justice Forever', led by the take-no-prisoners Colonel Stars and Stripes (Jim Carrey). But as this latest wave of costume-toting crime-fighters begin to take back the streets, they soon find themselves under attack from a reincarnated 'Red Mist', now known as 'The Mother F**cker' (Christopher Mintz-Plasse), out to exact revenge on Kick-Ass for the death of his father. (Universal Pictures UK)

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Reviews (13)

DaViD´82 

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English This is neither a superfluous sequel nor is it a failure of a sequel; this is just a sad example of what part one would have looked like if it had been filmed by a routine filmmaker with no style who saw the main assets of the material primarily (and exclusively) in all its perversity, controversy, rude words and violence for violence’s sake. Where part one was about children, but not for children, part two is about teenagers, and only for teenagers. ()

Marigold 

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English Spoiler. Without anger and bitterness. The start is solid - it honestly exploits the drive of the first film - but the entire film dies with Colonel Stars and Stripes (Jim Carrey). There is too much serious bullshit, the inconsistency of tone and the resulting self-purpose, and there are a few awkward serious scenes for a few punk scenes. The film has problems with things that the first film did with ease. About halfway through, the wheels totally fall off and the film only gets it’s groove back for a moment. Wadlow manages the details, but does not make the whole thing work. I will always love the first film for its audacity and civil pathos, but I have nothing to love or hate the second film for. He's not an evil badass mothafucka, he's just a forgettable hard-working transvestite. [50%] ()

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D.Moore 

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English The violence is the same as in the first film, but the difference is in the way the film shows the violence. While Matthew Vaughn has somehow managed to justify its use with his own playful directorial style, Jeff Wadlow could not. Blood is again spurting out on all sides of the world (and not only blood, actually), but so what? In my opinion, it's a useless sequel, a hotly edited mash-up that can only stare enviously at its predecessor. The title character didn't interest me at all this time, the heroine didn't interest me either, although she was given more space, and the only really interesting character I really enjoyed was played by Jim Carrey. But there was so desperately little of it... ()

Malarkey 

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English The first Kick-Ass was crap, but at least there were a couple of characters about whom I thought they had a nice job in the movie. Of course, I am talking mainly about Nicolas Cage. But then the sequel arrived and I thought that I should watch it. I mean Jim Carrey shouldn’t be a disappointment regardless of whom he portrays. But in the end I have to admit that I barely noticed him. It’s not that he was forgettable, but he was simply very unlike himself. Well and the rest of the cast can’t make up for that. So, the way the sequel starts as a fan movie, it ends up a tragic movie. The whole thing is sort of wannabe action-loaded and what’s worse it’s wannabe emotional. And the worst part is that I really miss any semblance of emotion in the movie. ()

lamps 

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English A mediocre teen flick that manages to parody and reference a large variety of genres, from superhero flicks to Mean Girls (really!), but unfortunately without a single over-the-top and memorable scene. Moretz is still great, but somehow gets ridiculously little space, and the promise of Jim Carrey's involvement resulted in the most useless and boring role of his career. It just doesn’t work without Vaughn, although the effort can't be denied. 60% ()

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