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Intricately-plotted legal thriller based on the bestseller by acclaimed crime novelist Michael Connelly. Matthew McConaughey plays criminal defence lawyer Mickey Haller, who prefers working out of the back of his Lincoln town car to sitting in an office. When Haller takes on rich young real estate broker Louis Ross Roulet (Ryan Phillippe) as a client, the case seems pretty cut-and-dried. As events progress, however, Haller starts to doubt Roulet's veracity, and echoes from past cases come back to haunt him. Before too long, Haller knows he's being played by a pro, but to what end and for what purpose? Marisa Tomei, John Leguizamo and William H. Macy co-star while Brad Furman directs. (Entertainment Film Distributors)

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Pethushka 

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English Who would ever have thought Matthew McConaughey could act so well. Without thinking twice, I rate the role of Mick Haller as his best. Ryan Phillippe was also an excellent choice with the first role that suits him in a long time. A quality script with a successful plot. 4.5 stars. After much thought, I'm leaning towards a higher rating because the film as a whole made a good impression on me. ()

POMO 

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English The Lincoln Lawyer is a nice chill-out flick with 1990s stars, especially Matthew McConaughey, who reprises his most remarkable role of that period (the attorney in A Time to Kill). Too bad that the script oversimplifies some of the plot twists and the connections between them, opting to look cool at the expense of being realistic. That drags the film down, weakens its impact as a thriller and buries any potential for drama. Because of this, it ends up being nothing more than “cool fun”. ()

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Isherwood 

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English There are about as many quality lawyer movies as there are quality lawyers. But let's leave ethics aside. I've always passed by Michael Connelly’s books at the library, thinking it must be that sublime detective bore. This is perhaps the case, but this film parades through such a plethora of well-written, functional, and well-acted characters that I’m willing to forgive even the fancy points (if you've read a few books and seen a few films, it won't be anything special to you) and enjoy this great genre addition (how many years has it been, anyway?) without further lamentation. 4 ½. PS: I’m gonna take out that Connelly book, though. ()

gudaulin 

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English The success of The Lincoln Lawyer largely lies in the casting of Matthew McConaughey in the lead role. Both in terms of his appearance and his character acting, he perfectly fits the image of a cunning and experienced lawyer who has equally good relationships in the justice system as well as in the underworld. The direction by Brad Furman is also worth mentioning, as he has shown here that when he wants to, he can make a film at a high level and with the use of modern film techniques. However, in my opinion, the script is quite average and it does not avoid clichés or improbable errors. Overall impression: 60%. ()

Matty 

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English This deceptive courtroom drama, in which no one acts honestly, was based on Michael Connelly’s popular novel of the same name. The corrupt nature of most of the characters, not excepting the protagonist, does not serve the film as an object of criticism. On the contrary, The Lincoln Lawyer gently convinces us that it can’t be any other way today. What’s important is to have something on everyone and if you don’t know more than the other, you at least pretend that you do. Naturally, the outer shell ultimately gives way to an uncorrupted core, a “nice” story with a lesson about decent behaviour at the end, but I enjoy the fact that traditional values are called into question in a film about law and justice. What’s even more surprising is that I also liked how Matthew McConaughey conceived his character of yet another arrogant hotshot, which – unlike a dozen of his previous roles – actually makes sense this time. You get the feeling that he is hiding something more behind his behaviour. If he didn’t show off, he would be either a zero or pushing up daisies. This dramaturgically complete, though somewhat long, film is held up from the side by excellent actors in supporting roles (Bryan Cranston, William H. Macy). Its lack of functionality as a thriller is a problem of viewer expectations rather than a problem with the directing. It would need more unrevealed cards, more suspense and more reasons to worry about someone’s wellbeing. But I had no problem with the film as a drama. 75% ()

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