Directed by:
Gary RossCinematography:
Tom SternCast:
Jennifer Lawrence, Josh Hutcherson, Elizabeth Banks, Liam Hemsworth, Willow Shields, Leven Rambin, Wes Bentley, Woody Harrelson, Stanley Tucci, Dayo Okeniyi (more)Plots(1)
In the ruins of the land formerly known as North America, the annual Hunger Games are about to get under way - and 16-year-old contender Katniss Everdeen has only the remotest chance of beating the fearsome odds. Like most of the nation of Panem, Katniss lives in one of twelve enslaved districts, ruled over by a mystery-shrouded Capitol, which after decades of chaos and war, now suppresses the people under the thumb of a harsh yet decadent dictatorship. Every year, on Reaping Day, each of the districts must choose, by lottery or volunteer, one boy and one girl to represent them in the Capitol’s twisted idea of grand entertainment that proves its total control, while also giving the famished populace the faintest ray of hope to hang onto. These are the Hunger Games - an intense gladiatorial competition between 24 adolescent warriors known as Tributes, broadcast live on TV until only one survivor remains... and once Katniss is entered there is no turning back. (Lionsgate Home Entertainment)
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Reviews (16)
A roller coaster of a plot, which greatly enhances your desire to read a book, but also works as a surprising teenage hit right to the very last minute. The characters are spot-on, the actors amazing, the relationships believable, and despite several seemingly exaggerated scenes towards the end, it's actually hard for me to find any specific criticism. Perhaps if the second installment goes deeper into the interaction between the main characters, I will be fully thrilled. Those who mock the partial resemblance to the works of George Orwell or The Truman Show have failed to grasp that there is a slightly different metaphor here. Katniss Everdeen for the win. P.S.: I fell in love with the book almost instantly, and after reading the entire saga, I would give Suzanne Collins almost anything. Just for the record.
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Unpretentious and ego-laden entertainment for a teen audience that doesn't give a damn about what Battle Royale is and how much the success of a great theme depends on all other aspects of filmmaking. The Hunger Games is not that badly made, it has a few bright moments and above all it boasts an excellent Jennifer Lawrence, who in the Japanese original was sorely missed in the flood of Asian faces, but regardless of how good and fun it is, this nothing more than another overblown bubble under the Hollywood banner, which, although it ensures prestige and money, can also overshadow even the best subject with a wave of pathos and American heroism. While Battle Royale was a bold and creative satire that couldn't be taken entirely seriously, The Hunger Games pretends to be a modern stylized sci-fi with a serious idea of a totalitarian future, but its potential ends exactly where it begins: with the premise. The film holds together really only thanks to the believable and very pleasant chemistry between the two leading actors. I’m certainly not disappointed, but that's only because I expected a similar result in advance. 60%
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The Hunger Games is another of those interesting fantasy book series that got adapted into a Hollywood movie. I was quite reluctant to see this. Even though I like fantasy films very much, I never know what to expect from them, and what I’ve seen lately was mostly so mediocre that it made me sad. But in the end, I made time for The Hunger Games one Sunday afternoon. I chose Sunday because the film has almost three hours. A film of this length must inevitably have some balls to grab my attention and keep me from falling asleep. The first half an hour was an introduction to the fantasy world in question. There was nothing much going on, but it served its purpose. Nevertheless, at the moment the titular hunger games kicked off, I started to enjoy the movie very much. I found the premise really intriguing, and the way this movie was shot is also not exactly ordinary. The story is quite realistic, with a lot of food for thought. And I must say that even though I felt kind of skeptical about this fantasy world at first, over time I grew fond of it and I began to wonder what the creators – and the source book – have in store for us next time. So yes, I must say that there is something about this world. The execution is also well-done, so the remaining two and half hours passed in the blink of an eye. I was satisfied with the result, and now I’m curious about the sequel.
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I didn't expect anything at all, and yet the film surprised me quite a bit. Anyone who starts talking about artificial romance completely missed the point and reading their reviews is a waste of time because they won't be objective. Hunger Games is a game, or rather a romance only on the surface, just like society today (or most of it), which this film criticises in a rather sophisticated way. It starts with the same system as the Hunger Games (a tribute to wars), through pathetic wishes for happiness, appalling (intentionally, for God's sake!) costumes, so criticising the film for that is probably the same as being upset that you're not hungry anymore after eating. As far as philosophy is concerned, I don't really have anything to criticise. Technically, the film is quite decent (the visuals of the city, the sets, etc.). The only slight issue arises during the actual game. Some things seemed a bit half-hearted and sometimes the viewer gets lost in what is meant to be taken seriously and what is just a wink. I won't dwell on the handheld camera, nor the quite inconsistent action scenes (sometimes naturalistic, other times "veiled"). Gary Ross seems be a much more captivating storyteller and philosopher than a technician and director of action scenes. I mustn't forget Jennifer Lawrence, who shines as the modern-day heroine and will one day replace Kate Beckinsale, Milla Jovovich, and other tough chicks, and she to be a much better actress too. Hunger Games is definitely not for classics and narrow minds. I don't quite understand the huge profits because I expected most people would not appreciate the content (which I assume has happened), but apparently, that doesn't prevent it from being a film experience, although perhaps a slightly different one.
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The only thing worth anything in this film, its theme, has already been filmed in an original, energetic way as a provocative satire in Battle Royale. The American version, striving to be a serious and riveting thriller with a romantic storyline, is indigestibly lengthy, clichéd and uses makeup and costumes like from "2001: A Space Travesty 2" with Adam Sandler. I’m giving it the second star for the pleasantly sober acting of the two main characters, who are the only elements of the film that don’t seem like a bad joke.
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