Gangster Squad

  • USA Gangster Squad
Trailer 3
USA, 2013, 113 min

Directed by:

Ruben Fleischer

Based on:

Paul Lieberman (book)

Screenplay:

Will Beall

Cinematography:

Dion Beebe

Composer:

Steve Jablonsky

Cast:

Josh Brolin, Sean Penn, Ryan Gosling, Emma Stone, Giovanni Ribisi, Nick Nolte, Anthony Mackie, Mireille Enos, Michael Peña, Robert Patrick, Jon Polito (more)
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Plots(1)

Crime drama set in the 1940s and '50s in Los Angeles inspired by the real life story of vicious mob boss Mickey Cohen and the LAPD officers who tried to bring him down. After moving to LA from the East Coast, Cohen (Sean Penn) has taken control of the town. A force to be reckoned with, he not only has his gang to do his bidding but a number of policemen and politicians are also under his command. Police Chief Bill Parker (Nick Nolte) instructs Sergeant John O'Mara (Josh Brolin) to wage war against Cohen and his men. With only a small squad which includes his colleague, Jerry Wooters (Ryan Gosling), O'Mara attempts to regain control of the city. Meanwhile, Wooters gets involved with the mobster's girlfriend, Grace Faraday (Emma Stone), which, if discovered, will only serve to enrage Cohen further. (Warner Bros. Home Entertainment)

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Trailer 3

Reviews (15)

Malarkey 

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English I can't help but feel like whenever Hollywood tackles serious historical films these days, they often miss the mark. Gangster Squad had everything going for it—a killer cast (and I mean seriously great; every actor here gets under your skin, and that’s rare), plus a solid story with the potential to be truly epic. You could feel it. But then they completely overdid the action. It’s like they cranked it up to 11, with endless shootouts where nobody seems to die, and the action just feels chaotic, with no real structure. The scenes are so poorly staged that it’s hard to follow, and honestly, if this crew were really that reckless, they’d have been wiped out in the first few minutes. It’s a huge shame because I was ready for an awesome gangster flick. If it weren’t for the over-the-top action, we might’ve actually gotten one. ()

D.Moore 

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English A brisk genre affair with perfect action scenes, a likable cast and a pleasantly popcorn atmosphere, and which includes both suspense and humor. At first I was worried that Gangster Squad would steal too much from The Untouchables, but as time went on I stopped thinking about it altogether and just had fun. And why not?__P.S. Jablonsky's music (I liked it this time) sounds a bit like Zimmer's “Sherlock Holmes", and "Gangster Squad" quotes Morricone's “The Untouchables" in the final track. That is not a bad thing. ()

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Kaka 

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English A routine affair, but definitely not a complete disaster. It's surprising that a lot of otherwise excellent and very inventive creators and actors are behind this very average film. I enjoyed the raw fights and the decent gunfights, the ultra-cool Penn and the likeable Brolin, though he is much better on the opposite side of the law, like in American Gangster. It's not nearly as intricate, skillfully written, and technically precise as, for example, Ridley Scott’s film, but it's worth seeing once. Purely average. ()

POMO 

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English A simple action movie pretending to be a retro gangster film, where actors are illuminated like mannequins in a store. One or two thrilling scenes, a brisk pace, one-dimensional characters, attractive camera filters and a horribly directed Ryan Gosling. For him to fumble, the director’s skill must be truly abysmal. How could they have gotten such an acting ensemble for this screenplay?! Right between two and three stars, and I’m giving two because it’s a defiling of Sergio Leone and Brian De Palma. ()

Isherwood 

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English An even bigger mistake than expecting Gangster Squad to be the new L.A. Confidential is to watch L.A. Confidential two days beforehand. I don't mind the lemonade game of gangsters, which mainly treads on a 'sunny' note because the actors fit the period suits exactly, cigarettes are smoked countless times, and there are plenty of excuses to get the Thompsons to bark. I can accept all that until Fleischer says he'd like to be the new DePalma and switches from funny conversational humor to serious mode, where he fails utterly. In fact, all the action scenes seem to have been shoehorned into the film as an afterthought, only one of the two female characters is anchored in the plot, and the police unit is carried by Brolin's charisma and Gosling's smile. To top it all off, it features a collection of annoying Hollywood clichés. A well-deserved fail. ()

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