Directed by:
Marc WebbCinematography:
Dan MindelCast:
Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan, Colm Feore, Felicity Jones, Paul Giamatti, Sally Field, Marton Csokas, Louis Cancelmi, Max Charles (more)VOD (5)
Plots(1)
For Peter Parker, life is busy - between taking out the bad guys as Spider-Man and spending time with the person he loves, Gwen, high school graduation can’t come quickly enough. Peter hasn’t forgotten about the promise he made to Gwen’s father to protect her by staying away - but that’s a promise he just can’t keep. Things will change for Peter when a new villain, Electro, emerges, an old friend, Harry Osborn, returns, and Peter uncovers new clues about his past. (Sony Pictures Home Entertainment)
(more)Reviews (11)
This is exactly what you expect from a film like this these days. There's a lot of action, a lot of emphasis on effects, the 3D must look excellent, and it's funny, epic, and reflective in places, yet I still couldn’t really get into it. Unfortunately, modern CGI-heavy films leave me cold, so I'm really glad that at least the screenwriters stuck to the canon and did exactly what every fan of the comic series hoped for. Moreover, the next installment looks promising, especially with the villains.
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How to rate a film that is visually beautiful, technically well-crafted and boosted by Hans Zimmer’s music, but its content is just so incredibly boring? After all, even animated movies for kids have more imaginative and fresher scripts that meet the kids’ parents halfway. Given that The Amazing Spider-Man 2 follows a long line of comic book blockbusters, the feebleness of its plot is unacceptable. Half of the film is filled with a romantic storyline, the monotony and clichéd nature of which leave the audience speechless, while the other half consists of skirmishes with bad guys that would look overused and dull already in the second instalment of Sam Raimi’s trilogy. Zero development, no winking at the viewer, nothing. Without any juice or a hint of creativity. Stale water boiled twenty times over. Nobody can make me watch the next episode; I’m quite done with Spidey.
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Already with the first instalment I was telling to myself that Amazing Spiderman is a terribly unnecessary affair. On the other hand, this Spiderman is much more comic book-like, which makes it more interesting. It is true that although I went to see both of these movies with reluctance, at the end I was completely satisfied in both of these cases. The only shortcoming of the second instalment is the fact that there are more déjà vu moments reminding you of the first movie, especially in all scenes with young Osborn. Anyhow, the fact that the creators placed their bets completely on the cast made me watch this and spend over two hours enjoying the view. Andrew Garfield is cool and Emma Stone and Felicity Jones are great. So whether you like it or not, you just can’t be angry with this restart.
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The first film was about hormones, the second accepts the fact that it has to expose the character to something more fundamental (death, responsibility, loneliness) and somehow develop and problematize the character. Unfortunately, there is a syndrome of beating empty straw with the expression of a farmer whose cattle have died. The clichés and love twists are so stupid that even the nonchalant Webb loses grace and the whole thing is reminiscent of the weak moralistic moments of Raimi's trilogy. A certain inconsistency also continues between the detached adolescent escapades in the clouds and quite harsh moments (the introductory scene is something like Nolan would do) / an effort to motivate the villains more comprehensively. It's nothing that Spidey would excel at, so exactly, as was said here - the action is excellent and imaginative, whilst the link between it is a bit barren. Still nothing that offends me, but also nothing I would watch with increased attention and affection.
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Great! I wasn't expecting much from the second Spider-Man movie and I had more fun than I did with the first one. From start to finish, it's a fast-paced and fun ride with an interesting and engaging story, gameplay visuals and perfect villains, of which Electro is the clear winner, giving me goosebumps every time he appears on the scene. 80%.
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Emotions overcome reason, anger overshadows some more humane feelings, and somewhere deep within, there's that persistent desire for a deeper understanding of oneself and one's own origin. I wrote that in the previous installment, and I'll write it again now – and perhaps for the last time. Sam Raimi's version was great, but it is Marc Webb's personal approach and scriptwriting greatness that makes The Amazing Spider-Man an unforgettable series. Even after this Electric Rhapsody becomes just another interchangeable summer action film for everyone else, I will remember much more. I will remember Emma Stone, who dialed down her sassy approach and ultimately became the true and genuine Gwen Stacy. I will remember the nervously escalating storyline of Harry, which, even in a smaller space, causes a chilling sensation. And above all, I will remember a more mature Andrew Garfield, who effortlessly handles both the jumping red and blue quipster and the torn-up mess seeking help from his loved ones. In combination with the first film, it is a perfectly intoxicating experience, thwarted only by the greed of Sony bosses on the path to a unique trilogy. It's a tremendous shame, making all the preparation for further adventures utterly futile. Considering the power of the story about the rise of a young loner to becoming a hero, it is so frustrating that my frustrated arguments became irrelevant only a month later when Spider-Man returned to Marvel instead of another reboot. How he fared among the established Avengers, however, is a different story altogether.
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So this looks like the surprise of the year so far. I was quite worried, especially after seeing the dub-step trailers, but it’s good. In terms of story, maybe a bit too long, doing it harm, but still better than season one. Full of snappy lines and perfect, really elaborate action crowned by an iconic moment that once shook the foundations of the whole comic world. The repulsive Fox as Electro is watchable thanks to his skills, but anybody else would have been better in that role, anybody. Giamatti doesn’t make much of an appearance, but DeHaan makes the very most of Harry, Goblin is surplus to requirements and could have easily waited for the next episode. But anyway. After watching the trailers I was expecting a catastrophe, but in the end it was very strong number 4. I’m still happier with the overall mood than with Raimi directing. I’m looking forward the number three, it’s all started off very well. “What are you doing? No, I do the laundry." “Last time you did it, you turned everything blue and red." “Because I washing the American flag."
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With the overlapping romance with Gwen Stacy, who is very iconic in the original comics, this story takes on a new dimension. The friendly enemy is also quite a nice element. It really doesn't take much to make even the umpteenth Spider-Man interesting, just don't retell the original and it's much more consumable.
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The series with Andrew Garfield is certainly more likeable than the decade older one, even though they have almost the same visuals and love story. Emma Stone is more natural, Spider Man is more human-like (more realistic), and the action is more robust. However, it is still the most childlike comic book hero among the main ones, and it still isn't grasped as it could be – or rather, it is still a sterile Hollywood action movie with a lot of clichés, corny scenes, and expected twists that don't necessarily need to be there. It's the same thing for the twentieth time. It's charming, but it's already getting repetitive.
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Unlike the previous film, which I liked only the second (third) time, I liked this Spider-Man immediately. I won't hide the fact that it scored points with me mainly because of the added perspective and really funny moments, but it is equally due to the bombastic action - much better and more imaginative than in the first film. The actors are every bit natural and likable, and the bad guys are alternately sympathetic and terrifying, as they should be. The finale made me hold my breath, even though I knew what was coming. Moreover, I don't even regret that Hans Zimmer replaced James Horner, because after some time (together with a few other people I don't know) he put together a really good music combining classical orchestra and electronics, and gave Spider-Man a nice fanfare theme. It's just a pity that Osborn Jr. didn't get more space, perhaps at the expense of Peter and Gwen's drawn-out romantic line.__P.S. The scene in the credits is completely unnecessary and bland, although from the X-Men world.__P.P.S. What about Uncle Ben's killer? Will we get to him in the next instalment?
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A lot of users here complain that this film is boring, uninspired; the same old fairy tale. But I personally liked the second/fifth outing of Spider-Man and got everything I needed at the cinema. On the audiovisual side, it is good, the effects are nice and impressive, and it was all underscored by Hans Zimmer's impressive music. The story was simple, but I wasn’t expecting anything else. I both laughed and grieved at the film and marveled at the action sequences. Halfway through, I thought I would only give it three stars, but the last twenty minutes made me rethink everything. In short, a typical popcorn movie that will disappoint especially those who expect too much from it – I was satisfied, though.
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